很美非主流字体

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《各类字体大全》
很美非主流字体 第一篇

字 体 大 全

 华康海报体w9

 白舟行书教汉

 特色宋体

 方正苏新诗柳楷简体

 金梅浪漫豆豆字体

微软简隶书

 白舟京田书体(繁)

 晨光体

 经典趣体简

 正谦樱桃小丸子字

 长城中行书体

 书法坊米芾体

 华康宝风体繁

 百度综艺简体

 金梅浪漫黑框国际码

 繁体篆书字体

 中国龙海行书

 华康金文字体

 迷你简粗行楷

 迷你简少儿

 迷你简粗隶书

 华文隶书

 涂鸦字体(日本字体支持中文)

 方正卡通简体

 方正兰亭超细黑简体

 迷你简太极

 造字工房尚雅体演示版常规体

 明黑等宽B

 田氏细笔刷体繁

 书法坊章草体

 汉仪秀英体简{很美非主流字体}

 田氏木枝体繁

 蒙纳简优皮

 方正特粗光辉简体

《浅析“非主流”文字设计及其未来》
很美非主流字体 第二篇

毕 业 论 文

浅析“非主流”文字设计及其未来

专 业 艺术设计(平面) 学生姓名 刘 玲 班 级 B平面081 学 号 0811204118 指导教师 黄 本 亮 完成日期 二○一○年六月

目 录

摘 要 „„„„„„„„„„„„„„„„„„„„„ ( I ) Abstract „„„„„„„„„„„„„„„„„„„„„ ( II )

一、“非主流”文字的起源„„„„„„„„„„„„„„„( 1 )

二、“非主流”文字的特征„„„„„„„„„„„„„„ ( 1 )

三、“非主流”文字的类型„„„„„„„„„„„„„„( 2 )

四、“非主流”文字设计 „„„„„„„„„„„„„„„„( 3 )

(一)内涵再设计„„„„„„„„„„„„„„„„„„( 3 )

(二)外形再设计„„„„„„„„„„„„„„„„„„ ( 4 )

(三)笔型再设计„„„„„„„„„„„„„„„„„„ ( 5 )

(四)简化归纳„„„„„„„„„„„„„„„„„„„( 5 )

(五)解构重组„„„„„„„„„„„„„„„„„„„( 6 )

五、“非主流”文字应用„„„„„„„„„„„„„„„ ( 6 )

(一)艺术创作领域„„„„„„„„„„„„„„„„„ ( 6 )

(二) 生活实践领域„„„„„„„„„„„„„„„„„ ( 7 )

六、“非主流”文字设计的未来„„„„„„„„„„„„( 8 ) 参考文献„„„„„„„„„„„„„„„„„„„„„ ( 9 ) 致谢„„„„„„„„„„„„„„„„„„„„„„„„„( 10)

浅析“非主流”文字设计及其未来

摘要:非主流文字是与官方主流字体不同的另一种字体,由符号、繁体字、日文、韩文、冷僻字等非正规化文字符号组合而成。汉字的变化、发展是人们对图形文字不断进行设计和创新的结果。非主流文字有力地向我们证明了图形化汉字设计的可行性与巨大潜力,并可作为我们在平面设计中进行图形化汉字设计的有益启迪。

本文分析了非主流文字的基本概念以及非主流文字的起源,比较了非主流文字与传统文字设计之间的关系,并结合后现代文化与网络语境,论述了非主流文字的网络属性特征,进而分析了非主流文字的常见类型,重点从内涵的再设计、外形再设计、笔形再设计、简化再设计和解构重组设计等角度分析了非主流文字的设计方法,分析中配合了大量的设计案例进行分析,指出非主流文字设计要想从非大众化走向大众化,不仅要满足年轻的网民需求,还要善于结合多媒体技术语境从综合感官上满足使用者的审美需求和情感体验,才能从当前尴尬的、矛盾的状态中摆脱出来,升华其真正的存在意义。

关键词:非主流 文字 再设计 网络文化

Analysis Of Non-mainstream Character

Design And Its Future

Abstract: Chinese characters bearing the culture of China for 5000 years , that is to say. There was not the resplendent civilization of China ancient times if there had not the Chinese characters. The transformation and development of graphical character are the result of people’s continuous designation and creation. A great deal of graphical character works which come down from Chinese traditional culture had proven powerfully to us that the design of graphical Chinese character was feasible and had great potential, and would be a beneficial edification in the field of graphic design which could direct us to design graphical character.

It is a process that the graph creativity sublimating of the Chinese character civilization with the evolving and creating again from the traditional glyph to the modem Chinese character graph, It is advantageous not only to the commercial promotion of modem internationalization, but also to the research and development of Chinese character itself. Finally, through analyzing the world famous designer’s work, and combining my designing experience, the paper has discussed the innovation mentality of diagramming Chinese character in contemporary plane design.

Key Words: Chinese character Non-mainstream Structure Redesign

盐城工学院毕业论文2012

浅析“非主流”文字设计及其未来

一、“非主流”文字的起源

文字的起源是多元的分野,汉字、楔形文

字、玛雅文字、象形文字等的发展是伴随着 “结

{很美非主流字体}

绳而治”、“刻木为契”、“仓颉作书”等的

传说而发展起来的(见图1)。多元的分野体现

了文字发展的多元文化基因。二十世纪中后期,

随着后现代文化的不断深入,网络文化的悄然图1

兴起,各种网络社区、QQ群体、虚拟社区的存在并相互联系,形成了社会的“非主流”群体。“非主流”群体拥有他们的风格喜好、语言音乐、服饰装扮等,逐渐形成了“非主流”群体具有共同特征的“非主流”文化,这种“非主流”文化

迅速影响到汉字设计领域,形成“非主流”文字。“非主流””文字是与官方主流文字不同的另一种字体,由符号、繁体字、日文、韩文、冷僻字、图形等非正规化文字符号组合而成,它张扬个性、另类、非大众化。

二、“非主流”文字的特征

“非主流”文字的产生是伴随

着网络文化的发展而发展,具有明

显的网络属性和非大众化特征。首

先,“非主流”文字主要通过互联

网进行传播,QQ、MSN、Email、Blog

等是其重要的传播载体,这些传播

载体快速地催生了“非主流”文字{很美非主流字体}

在网络社区中的流行。其次,“非

主流”文字与网络符号紧密相关,

有一部分就是由网络符号组成(见图2)。第三,“非主流”文字的使用者多为使用网络频率较高的90后人群,这类人群另类、叛逆、时尚,多是社会的“非主

图2

《最新特殊符号+非主流文字大全》
很美非主流字体 第三篇

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