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蝴蝶梦英语读后感篇一
《蝴蝶梦Rebecca观后感(英语)》
Rebecca
I like this story’s heroine, the second Mrs. de Winter. Although she is so poor and doesn’t have an extremely pretty face, she has a very pure heart and she is also very kind-hearted. When she meets Mr. de Winter, her gentle and purity moves his heart deeply. Soon they fall in love with each other and even get married. Then they return to Mandalay, his large country estate. She is very sincere and kind to every servant. Mrs. Danvers, the housekeeper of Mandalay, resents her having taken the place of Rebecca, the former hostess. But the heroine politely says to her“I do hope we’ll be friends. You must be patient with me. This sort of life is new to me, and I do want to make a success of it. ”And the heroine loves his husband very deeply, even though there are many troubles in their lives, her love doesn’t change all the time. I really like her goodness.
I don’t like Mrs. Danvers, the housekeeper. She admires Rebecca the former hostess morbidly and even tries to make troubles to divide Mr. de Winter and the heroine. At last, she perishes together with
her cherished Rebecca myth. I think her action is very stupid.
蝴蝶梦英语读后感篇二
《Rebecca 蝴蝶梦 读后感 观后感 SUMMARY》
Rebecca
The introduction of writer:
Daphne du Maurier (1907-1989) has been called one of the great shapers of popular culture and the modern imagination. Among her famous works are Jamaica Inn, The Scapegoat, Rebecca, and the short story "The Birds," all of which were subsequently made into films, the latter two were directed by Alfred Hitchcock.
The introduction of film director:
Alfred Hitchcock (1899-1980), an English director. He has learned engineering at London University. Then he began to produce a film in 1920 and direct his first work 6 years later .He is acknowledged as one of the most incomparable master in the history of film because of advanced technology and completed details. The Thirty-nine Steps (1935) and The Lady Vanishes (1938) are the English film under his direction. The film Rebecca (1940) is his a American work and win the bid for the Oscar prize in that year. Later, he has directed the film Phycho (1960), The Birds (1963) and Frenzy (1972).
The Ubiquitous Rebecca
I spent the majority of this film thinking about how lucky M. Olivia really was. To be able to wrap his arms around Joan Fontaine and kiss her. She's one of the most beautiful women I've ever seen. She's also absolutely perfect in the role of the second Mrs. DeWinter, taking a character that could have transformed her into a sympathetic and interesting figure.
The movie, on the whole, is similarly amazing, capturing the spirit and the tone of those great Gothic romances. Watching Rebecca, I reminded pleasantly of his other films I have seen, such as The Rear Window, just for Grace Kelley .I love her wonderful show in this film .Actually, I like all the films she was in. And It is a pity that she departed Hollywood and was willing to marry a king in reality.
I must assume that the guiding hand of Hitchcock played no small role in
recreating the feel of a Gothic romance. There are very few that would be able to take a love story, infusing it with such gloom, with such a sense of Gothic scary, and still manage to create something that ends happily . I'd also like to draw everyone's attention to the incredibly moving section of the film that occurs between the arrival of the second Mrs. DeWinter at Manderly. The emotional change on the Joan Fontaine character is so palpable which pains me to watch. I feel hurt along with her. Few other movies affect me so deeply in emotion.
On a cliff of south France, she meets an odd, grieved, but glamour man by mistake. Maxim De Winter has lost her wife several years ago. Apparently, he is in blue mood because his wife was drawn herself and even he wants to commit suicide for frustrated love. But the true fact is that Maxim has killed his wife and he could not escape the feeling of evil, and he is in scary everyday .That spirit of Rebecca is wander in Manderly. Then Mr.Winter fall in love with that lovely and kind-hearted girl and propose to her when she is going to leave with her master. So, they come back together to Manderly.
Mrs. Danvers has never shown her emotion in the house. She is a woman filled of mystery. Her ramble represent in the room will make you can not breath and quicken your rate of heart. She always representing in where she should have not and with the statue of higher position. It seems that Mrs. Danvers is a Rebecca. In this film ,the photographer has never paned the camera to Mrs. Danvers to display her coming, but make the music and sound go faster than her. Under her caution arrangement in the house, a sense of horrible feeling is flooded into the young lady.
Mrs. Winter is trapped in uneasy state now. Of course, she eagers to blend with the family life well with the other people. But anything she could find suggests that her husband still love Rebecca. Therefore she planted to wear the new dress like the oil painting in the room so that to make her husband happy and love her more. What is she never can know is that the women in dress on the oil painting is Rebecca, which disclose a murder case many years ago! When Mr. Winter has seen her dress, he is extremely angry. His bad temper and odd manner let her feel hurt. In order to save her heart, he admits that he killed Rebecca, that immoral, heartless and evil-minded
woman.
Mrs. Winter nearly commits suicide under the huge press coming form Mrs. Danvers. The dead woman, Rebecca, has so much mystery upon her. At this time, the sunken ship with the body of Rebecca is found on the sea and her cause to death allure curiosity. Later, the winter couple knows that Rebecca has infected heavy cancer before her death, and she took advantage of this to revenge Mr. Winter. Mrs. Danvers burn Manderly with herself accounting for she can not receive the result, the Rebecca in reality. They contrive sincere and affection love forms each other after they know the fact of all things.
I have never known the looks of Rebecca, but felt her Ubiquitous in the room. Mr. Winter and his wife live in the room filled of the letter R, which represent the ex-wife of Mr. Winter, Rebecca, the hostess in Manderly. The film Rebecca has never forgotten to make exaggerated additions to the handkerchief, bed sheet and clothes. And this not existing Rebecca promote the development in this story and affect everyone once has went along with her .It seems like Mrs. Danvers is another Rebecca. And I see a strong and existing form her speech and smile. This typical style to shoot a film is out of the ordinary and imitated by people in the following days to film mystery movies.
蝴蝶梦英语读后感篇三
《蝴蝶梦-rebecca。最详细最全面的汉语读后感。有多篇》
影片从梦中的女主人公---第一人称的'我'回忆往事开始。夜里，我又梦回曼陀丽。面对这堆被焚的中世纪建筑废墟，我又想起很多过去„„
那是从法国开始的。做为'陪伴'的我随范霍夫太太来到蒙特卡洛。
一天，在海边我看到一个在陡崖边徘徊的男子。我以为他要投海，就叫出了声。他向我投来愤怒的一瞥。我知道我想错了，他可真是一个怪人。 很巧，他竟同我们住在同一个饭店里。从范霍夫太太那里，我知道他是著名的曼陀丽庄园的主人德温特先生。他的妻子——美丽的吕蓓卡去年划船淹死了。也许这就是他这样怪的原因吧。
因为感冒，范霍夫太太又请了一位护士。我自由了，同德温特先生见面也就多了。我们共进午餐，一起散步、跳舞。我告诉他我的一切，他却淡淡地提起他的曼陀丽„„多次的见面，多次的交谈，我们彼此吸引着。爱就这样萌发了！
可是，范霍夫太太却要赶着去参加女儿的订婚仪式。我立刻去找德温特。
当我告诉他我是来告别的时候，他久久地望着我，向我求婚。就在我不知所措之中，我们离开了法国，作为德温特夫人回到曼德利庄园。
一进庄园，我好像处处看见吕蓓卡的身影。无论是屋里的摆设还是家具上，都留下了'吕蓓卡'的名字。 管家丹佛斯太太又是那样令人厌恶。冰冷的脸，冷酷的心，对于吕蓓卡她有一种可怕的崇敬，她每天整理吕蓓卡的房间，布置得和其生前一样。似乎我在她眼里只是一只丑小鸭，而吕蓓卡却是天鹅。这事刺伤了我，使我惶惑。
德温特却又好像不愿提起吕蓓卡，也许是他不愿引起内心的怀念。我不愿德温特难过，也就不问。一天，无意间我找到了吕蓓卡海边的小屋，他让我别去，我问为什么。他竟粗暴地回答：'我痛恨那个地方。 从管帐的弗兰克先生那里，我知道了那小屋是吕蓓卡常去的地方，去年她被淹死了，德温特难过地把尸体认领回来。我决定用爱来帮助丈夫从不幸中摆脱出来。
为了使德温特高兴，我决定举行一次盛大的化妆舞会。当我正为出席舞会的礼服发愁时，丹佛斯太太建议我用走廊上一幅画像中少妇所穿礼服的样式。当我身着礼服出现在客人们面前，大家失声叫道“吕蓓卡！”德温特以及他的姐姐惊呆了，他双手捂着脸呵斥道：“快把这套衣服给我换掉。”我痛不欲生地跑回屋里。
就在我丧魂落魄的时候，外面突然升起了两颗信号弹。原来潜水员在海底发现了一条沉船，上面有一具女尸，有人认出那是吕蓓卡的小船。
第二天，德温特不见了。我到处找，终于在海边木屋里找到了他。我为昨天的事向他道歉，他却痛苦地说：“晚了„„太晚了。”然后他告诉我：吕蓓卡虽然美丽，却放荡成性，生活淫乱，勾引过许多男人，还跟表哥费尔发生过关系。结婚4天，他知道了吕蓓卡的一切，却又为了家族的荣誉、为了年轻人的面子，表面上保持这种所谓的夫妻关系。一次德温特终于无法容忍她在小屋里同费弗尔幽会，到小屋里找她。她一个人在那儿，告诉他她已经怀孕；还挑衅地问他是不是为这个孩子要杀了她。德温特大怒，正要打她，她却被绊了一下，一头倒了下去，死了。于是德温特把尸体放在小木船上，将它沉入海底，又冒认了后来出现的一具女尸。
真相大白了，我们的心相通了。 法庭上吕蓓卡的表哥费弗尔一定要置德温特于死地为决。决定要去找吕蓓卡的医生贝克大夫，以证实德温特是为了吕蓓卡怀了别人的孩子而杀了她。
警长和德温特等人来到贝克大夫那里，证实了吕蓓卡是得了晚期的癌症而最后一次来看病的。费弗尔失败了。
当我们快活地赶回家时，只见一片大火。丹佛斯太太发疯了，放起火来，她不愿看到她的偶像就这样失败了。
在大火前，我和德温特拥抱在一起„„
浴火重生——《蝴蝶梦》读后感有些花朵在冬天的寒气里会变成枯萎的粉末，人们会亲眼目睹到这样的一个看似缓慢却又无限遐想的过程，从最初的美好花香和鲜艳到变成枯萎的零落花瓣。蓝灰色的天空，蕴藏着深不见底的黑暗，乌云翻滚着吞噬了最后一道光线。但我们在天快要亮的时候点燃焰火，也许就会吸引
正在祭拜天祖的天使，这时候充满光辉的银光也许会让它们渐次走过，让人们体味冲破黑暗，走向光明的欣慰。有一种爱是寡言的，它的付出也许是独断的，它的温柔可能是执着。有一种爱是朦胧的，它的付出也许是不自主，它的温柔可能是迷惘。有一种爱是无形的，它的付出是因为一种希冀，希望自己所爱的人拥有比自己更幸福的人生，所以才选择放开对方的手。书中温特带着丧妻的“忧郁”和“伤心”，这引起了我的注意。故事说的是一位极富神秘色彩的吕培卡，虽然文章并未直接描述，但确实是提到她。他能通过忠扑和她的情夫等人继续控制曼陀罗庄园一直到最后把这个庄园烧毁。而《蝴蝶梦》中的另一个女性以第一女性的身份处处烘托吕培卡。但是她长相那样玲珑剔透，那样善于逢场作戏，那样看起来可以随时随地讨人喜欢的人，却原来有着多么丑恶的嘴脸，多么丑陋的内心„„这故事作者讽刺的是英国高层的腐化生活：享乐至上，尔虞我诈，穷奢极侈，势力伪善的现象表现作者的不满。
我，一个小小的，不起眼的年轻女伴，在陪着范·霍珀夫人在蒙特卡洛的蔚兰海岸吃饭的时候，带着几分瑟缩的惊慌被动地撞入到迈克斯·德温特——一个拥有古老而闻名的曼陀丽庄园的乡村贵族眼界。 《蝴蝶梦》开头对范霍珀夫人的描写是充满幽默笔调的，现实中不乏这样三姑六婆的人物，但跟愚蠢联系得这样天衣无缝的范·霍珀夫人，却让我们面前升腾起一个活灵活现的小人物。有时候夸张有它无与伦比的魅力，是任何别的手法望尘莫及的。 人总是有对比才有优势的，或者这个“我”并不是出色的，但在参照物范·霍珀夫人的衬托下，德温特就不得不注意了我。就像水仙旁放一盆韭兰也许不被人注意，但在水仙旁放一盆仙人球，无论是哪盆都会起到异乎寻常的夺目效果。在这样有衬托的背景下，德温特，这个带着满腹心事的中年男人，开始通过关注我来转移积压在他心头的无形阴影。 德温特是因为带着“逝去妻子”的“忧郁”、“伤心”引起我的注意的，本性淳良的我，在初开始和他相交的时候总是千方百计想回避这一点，总是拿捏着十二分的小心不触动他心底的伤疤的。但是，年轻的我的骨子里还有好奇，又想方设法想知道得更多一点。在我没太见过世面的眼里，德温特就是一个典型中世纪贵族的形象，高贵、阴冷、倨傲而且有些难以接近。而我则是一个因为地位卑下，常常胡思乱想，喜欢把幸福放大，喜欢把悲痛扩张的年轻女孩。患得患失常常使得我自己对自己失去信心，因此，在我的意识中，我们连做朋友的可能都是微乎其微的。我们不过是两个都在旅途中稍憩着寻找个谈话伴侣的相识者而已，也仅此而已。 一个四十二岁，一个二十一岁，整整一个倍数，显然在这个二十一年中，足可以允许任何应该或不应该发生的大小事件发生，（甚至包括两次大的世界战争。）事实上，德温特在决定同
庄园里严厉的管家丹弗斯夫人明显流露出对新夫人的厌恶和对前任文德斯夫人丽贝卡的崇拜，丽贝卡虽然死了，却又仿佛无处不在，影响着庄园里的一切，到处都是带有里贝卡名字缩写的物品。新的女主人尝试着熟悉新环境，却一次次碰壁，所有这些痛苦经历似乎都在给她一个暗示：她的丈夫将永远——而且只爱丽贝卡。她的猜疑、梅西的沉默，在这对新婚夫妇之间划下了越来越深的裂痕。
但是过去发生的事并没有这么简单，逝去的丽贝卡仿佛隐藏着很多的秘密，而远远不是表面上看起来那么圣洁、美丽。终于，为了挽回新婚妻子的心，梅西承认是他杀死了丽贝卡，并把丽贝卡沉尸大海。 就在这时，丽贝卡的尸体被人发现，她的死因重新引起了人们的关注。经过调查，最终还是真相大白：丽贝卡是自杀死的，却把一切布置得象是被梅西亲手杀死的样子来报复他。
最后，丹弗斯夫人在绝望中点起大火，与曼德利庄园一起化为灰烬„„
仿佛人生如梦，梦醒了什么都没有了。当谜底揭开的那一刻，除了那个空空的真相，什么也没有得到。 温德特夫人失去了那种小妞儿似的滑稽而迷惘的表情，一夜之间换上了老成的面具。这真的是她想要的吗？在情与法的交织中，她的选择对吗？难道真如迈克西姆所言，吕蓓卡得胜了？也许就是这种如梦似幻的感觉使得《蝴蝶梦》被译成二十多种文字，再版重印四十多次，并被改编搬上银幕。 《庄子·齐物论》：“昔者庄周梦为蝴蝶，栩栩然蝴蝶也，自喻适志与！不知周也。俄然觉，则蘧蘧然周也。不知周之梦为蝴蝶与？蝴蝶之梦为周与？周与蝴蝶则必有分矣。此之谓物化。”
我仿佛又回到了曼德丽庄园„„开头就吸引了我。梦呓般的陈诉，轻轻的带人走进仿佛荒凉多时的古老庄园。曾经的繁华现已不见，看到的只有凄凉。但是，经历过她的辉煌的人们，还是能从中隐隐窥到当日盛宴般的情景。美丽的前女主人，带着她的骄傲，毫不客气的霸占了曼德丽。连下人们都一直缅怀着过去的主人。即使，她已经离去。即使，新来了一个女主人。我是很恨身为前女主人的她，讨厌看到她还残留的
影子一直游荡在庄园。是她，让所有没有的一切不复存在。后来的女主人，只好活在被她笼罩的庄园。每一个地方，都有她的影子，让人窒息。逃离吧。最终是逃离了。但是，梦里还是一遍遍回到那个地方，梦里，已经杂草丛生，烟雾缭绕。梦里，回到过去，看到一片苍凉。
作者达芙妮杜穆里埃塑造了一个近乎完美的女性丽贝卡，然而小说中的她从始至终都是一个已故的德温特夫人。丽贝卡已不存在，却无所不在，无论生前还是死后，她都能控制着臣服于她的人，控制着曼陀丽豪苑。小说中的“我”作为曼陀丽的新女主人，作为一个曾经没有接受过良好教育的平头小辈，无时无刻不在丽贝卡强大的阴影下胆颤心惊地生活，直到一次船只的偶然搁浅，才揭开了丽贝卡的真实死因，驱散了“我”心中的全部疑团和恐惧。幸福并不像想象得那样，丽贝卡留在世上的忠仆丹弗斯太太在黑夜里将曼陀丽送入了火焰。红霞向夜空散开，将痛苦化为灰烬，然而，火焰真的能将所有的过往埋葬吗？尽管“我”和丈夫永远地离开了豪苑，但梦境中的惶恐还是会以某种无法预见的形式卷土重来。从《蝴蝶梦》中醒来，我发现这部作品和《基督山伯爵》一样，在文学史的排行榜上地位不高，然而它们却依然能在读者的心中经久不衰。在《蝴蝶梦》的人物中，最令我感慨万千的就是丽贝卡和她的忠仆丹弗斯太太。“我”的丈夫德温特曾绝望地说“丽贝卡得胜了”，而“我”却认为丽贝卡输了。作为读者，一个贸然闯进《蝴蝶梦》的世界的人，我想“幸福”在每个人心目中的定义是各不相同的。丽贝卡在临死前还在嘴角绽开的微笑和那似乎已经预料到最后一次胜利的眼神，宣告了她心中的“幸福”就是挑战的快感和胜利的满足。她在死后仍使丈夫摆脱不了石楠一样密集的惶惶不安，仍使“我”时刻相信“丽贝卡是最完美的”，仍使所有人记得“丽贝卡才是曼陀丽的主宰者”，那么，这一切都实现了，所以她成功地获得了她定义的幸福。而在“我”最终了解“丈夫从未爱过前妻丽贝卡”的瞬间，“我”感觉到她的阴影再也不会来打扰“我”。站在一个女人的角度上，我认为丽贝卡是可怜的，她从不曾获得爱情，没有体会过那种情感的温暖，她不会懂得付出，没有奉献过与她的外表，教养和智慧同等的善良。她幸福么？是的，她幸福，我认为。只是，那幸福太虚无了，以至于丽贝卡迷失了自己，甚至愿意选择特别的“自杀”方式来追求最后的“胜利”——她的幸福。因此，我感觉到丽贝卡临死前的微笑，除了胜利之外，还有一种难以名状的绝望。看到书中从未出现过的丽贝卡，我认为她还有值得欣慰的地方，曼陀丽最令人压抑恐惧的气氛的制造者——她的忠仆丹弗斯太太。丹弗斯对丽贝卡近乎变态的崇拜，使她对世界没有任何留恋，即使纵火烧尽曼陀丽也在所不惜，当然，曼陀丽是丽贝卡亲自布置的，石楠花是丽贝卡亲自选定的，丹弗斯不会容忍任何人占据丽贝卡的位置，所以毁了这幢豪苑。丹弗斯对主人的忠诚发挥极致，她唯一的寄托和骄傲都是丽贝卡，丽贝卡真的理解么？书中没有交代，然而我认为，丽贝卡只是依赖和信任这个心腹，她坚信自己的魅力可以使人臣服，她不会懂得人之真情。丹弗斯同样是可怜虫，她最大的享受就是为丽贝卡奉献，她也没有得到过幸福，不曾体会真诚的存在。正是这样固执的可怜人，才使我为之落泪。德温特曾试图相信“一个妻子得有三种美德：教养，头脑和姿色，她三样俱备”，然而小说中的“我”拥有丽贝卡不曾拥有的最重要的美德：真诚。也许因为这样，曼陀丽才会有“我”的存在，黑暗中才会有动人的光明。一场大火结束了《蝴蝶梦》，每个人都从奢华中走出来了，除了丽贝卡。我在梦中又回到了曼陀丽，惨淡阴沉的景象中我又找到了石楠，它的根部被灌木紧紧地缠绕，虚伪和浮华被葬在了地下，我看到的，是真诚的重生。
Who is the winner?
When we read a book which written in first person, we usually regard ourselves as the author. We hate what he or she hate and like what he or she like. Rebecca, written by Daphne du Maurier, tells us a story between two completely different women( one is clever, beautiful and dangerous while the other is quiet, honest and ordinary). However, they don’t fight for a man’s love, but for the influence on the man and his all surroundings. The most attractive part is that the dreadful woman is dead at the beginning of the story, but not her powerful effect. She is Rebecca, the elegant and flamboyant first Mrs.DeWinter. She is described utterly evil, not just because she is unfaithful to Maxim but she has no love and tenderness. Although she has grace, confidence, brains and beauty, she is morally rotten, using her charm and beauty to be liked .Rebecca is a “snake” to Ben”, but a lover to Favell. She is admired by Mrs.Danvers, but confused by Frank, disliked by Beatrice and hated by Maxim. Her death is the cleverest tarp she has ever done. She is doomed to death in several months, but she
infuriates Maxim and make him kill her with a purpose to destroy his life. Unfortunately, her death is not the end of the nightmare of Maxim and others. There are her shadows here and there in Manderley: she is always alive in people’s memories. Finally, Mrs.Danvers who deeply admires Rebecca replace her role to fight and set a fire on Manderly that totally destroyed Maxim.
The second Mrs.DeWinter, the teller of the story, is a very quiet and easily frightened person at first. She is quite opposite to Rebecca and feels anything wrong that happens around her is all her fault. Her lack of confidence is part and parcel leading the gap between her and Maxim. She thought that Maxim loved Rebecca and she can never replace her. On the other hand, because of her love to Maxim, she is brave enough to support him. For the storyteller , the most important thing is to make him happy. Knowing that he murdered Rebecca and the crime is in danger of being discovered is less important than her happiness when Maxim told her that he hated Rebecca and opened his heart to her for the first time. The process of the inquiry is her process of growing up. By the end of the novel, she has become a strong character who is able to make decisions and give her own opinions. Although she has defeated the memory of Rebecca, she has lost her original personalities Maxim likes the first sight he saw her.
At the end of the story, it seems that the storyteller has defeated Rebecca, but Mrs.Danvers’ ruining of Manderley makes it uncertain. Because Manderley is the most precious thing in Maxim’s heart, and now he has lost half of his soul. So she only get half of Maxim, the other half of him has gone with Manderley as well as Rebecca.
影片一开头就是一片凄凉的破败景象，转入，出现的是滂湃的海水。男女主人公相识的情节也算是老套，看过《简爱》和《傲慢与偏见》的MM都会知道，英国人好像总是通过这样的方式认识。是的，男主人公麦克西姆很有钱，是曼德利庄园的主人，然后认识了作为范霍夫太太私人伴游的“我”，就是琼.芳登扮演的女主人公。然后就是两个人相爱，要分离，最后麦克西姆在“我”离开前向“我”求婚。我觉得这段没什么好看的，琼.芳登的出场很平淡，邻家女孩般乖巧的面容，简单朴实的衣裙。我觉得琼长的不够欧洲，倒是有些东方女性含蓄的魅力。
然后他们结婚了，回到曼德利庄园。要说的是那庄园可真漂亮，好像迪斯尼动画片里住着公主的城堡，然后“我”成了曼德利的女主人。让“我”感到意外的是，这座美丽的庄园里竟然全是一个叫丽贝卡的女人的气息，丽贝卡是麦克西姆的前妻，去年死于海难。麦克西姆很爱丽贝卡，或者说丽贝卡人见人爱，曼德利到处都是丽贝卡的影子，到处都是绣着“R”的本子、布料、信笺......管家丹佛斯太太是随着丽贝卡一起到曼德利庄园来的，她对丽贝卡有着莫名的崇拜，她甚至把丽贝卡曾经住过的房间依然保持着她遇难那一天的样子，最重要的是“我”觉得丹佛斯太太很不喜欢“我”。丹佛斯太太的每次出场都很精彩，总是悄无声息的出现，再瞬而离开，还有那只貌似英国可卡的长毛狗，安静的趴在大厅里，让整个电影的气氛显得更加诡异。
丽贝卡的无处不在让“我”觉得异常的惶恐，“我”知道麦克西姆还爱着丽贝卡，为了让他开心，“我”决定举办一场化装舞会，丹佛斯太太假意的建议我穿麦克西姆最爱的一套衣服出席。当麦克西姆看到“我”的出现时非常愤怒，原来那是丽贝卡曾经穿过的衣服。“我”跑去质问丹佛斯太太这一段被拍摄的异常惊悚，气氛被希区柯克剪切的非常紧张，丹佛斯太太那总是面无表情的脸让人觉得胆战心惊，喜欢丹佛斯太太说的那段台词：
你想替代她的位置，你让他娶了你。我看见了他的脸、他的眼睛，就象她死后第一周一模一样。当时我曾经听见他整夜走来走去，一夜又一夜睡不着，想念她，忍受无尽的折磨，因为他失去了她！
你以为你能成为德文特夫人，住在她的房子里，用她的步子行走，用属于她的东西！但是她比你强得多，你无法战胜她——任何人都不会比她强，永远不会！她最后失败了，但打败她的不是男人也不是女人，而是大海。
为什么你不走，为什么你不离开曼德利庄园？他不需要你„„他进入了他的回忆。他不爱你，他只想重新单独跟她在一起。你留下来做什么呢，你活着做什么呢，不是吗？
最精彩的是丹佛斯太太用温柔的，几乎是催眠的语调说：
向下看，这很容易，不是吗？你为什么不跳，为什么不。跳吧，跳下去，不要害怕„„
那语调真是让人毛骨悚然，我甚至会担心那个“我”真的会跳下去。然后就是一个意外的发现，丽贝卡遇难的船只和她的遗体找到了。在“我”的追问下，麦克西姆告诉“我”丽贝卡其实是一个放荡成性的女人，在新婚的第四天他终于知道了丽贝卡的真面目，但估计贵族的身份和地方，麦克西姆没有与丽贝卡离婚，丽贝卡继续她放浪形骸的生活，甚至与她的表哥苟且。直到有一天丽贝卡告诉麦克西姆她怀孕了，当然，没有人知道这孩子是谁的，麦克西姆大怒，可丽贝卡却意外的跌倒，头部撞击硬物死亡。麦克西姆将尸体拖到船上并凿损的船只，造成了海难的假象。可此时，丽贝卡的表哥却坚持丽贝卡是被谋杀的。为了寻找犯罪东西他们找到了伦敦的丽贝卡的私人医生。医生却证实丽贝卡没有怀孕，而是得了癌症。一切真相大白，可丹佛斯太太却无法接受偶像的陨灭，她宁可玉石俱焚，也不愿见到“我”与麦克西姆在一起。所以她点燃了曼德利庄园，自己也死在的庄园中。当然，“我”最终与我深爱的麦克西姆在一起了，只是透过那曼德利上空的大火，我竟看到了丽贝卡像蝴蝶般翩然而逝。蝴蝶一梦再难寻，丽贝卡绚烂的一生也在曼德利庄园变成废墟的同时消亡殆尽。
《蝴蝶梦》如愿的看了，可看过之后却又觉得深深的失落，那感觉像极了《姬黛》结束时给我的感觉。本都是大团圆的结局，到底是什么让我惆怅呢？
《蝴蝶梦》是达芙妮的成名作，发表于1937年。小说自发表以来就以其曲折的情节，细腻的情感描写深受读者喜爱。2005年，在英国浪漫小说家协会评出浪漫经典的五部英语小说中，《蝴蝶梦》就与《傲慢与偏见》，《简爱》名列其中，其他两部是《呼啸山庄》和《飘》。达芙妮在小说创作上继承了哥特小说的方法，因而她的小说也被蒙上了一层悬疑，恐怖的色彩。在《蝴蝶梦》中，悬疑色彩主要取决于吕蓓卡这个人物形象的塑造。吕蓓卡在小说一开始已经死去，并不曾真实出现，但是她短暂的一生却给她周围活着的人留下了深刻的影响，好像魂魄不曾离开她熟悉的地方。吕蓓卡超强的影响力一度曾经成为小说另一主人公“我”感情的障碍，影响着“我”的婚姻，造成了众多猜疑和悬念，但也正是吕蓓卡让“我”的婚姻经受了考验，并且使夫妻双方明白了婚姻的真谛—平等，真诚和勇于献身。作者在吕蓓卡身上赋予了两重意义：一是吕蓓卡本身的故事是对当时男权社会的批判；二是通过吕蓓卡和“我”对婚姻的不同态度和结局，表达了作者自己的婚姻观。对于吕蓓卡的描述可以分为两部分：一是她生前极度绚烂的人生游戏，另一部分是她死后诡异的影响。
吕蓓卡在小说中的形象主要通过众人的追忆形成的。吕蓓卡出身贵族，集聪明和美丽于一身.她忠实的仆人丹尼丝描述她小时候“她那时模样就很迷人，像画上的美人儿那样妩媚。她打男人身边走过，他们就会转过头直勾勾的瞅着她她心里很明白。”小小年纪便以懂得美貌对于女子的重要，“我长大了会出落的很美，是吗，丹尼?’ 仆人弗兰克认为“她是我有生以来见过的最美女人。” 教主夫人“她确实是个出众的美人。”“她真是个尤物。”吕蓓卡除了美丽聪明的外表她还很能干，把曼陀丽整饬成远近闻名的地方。曼陀丽的花园，灌木丛和幸福谷的石南花，家具以及吟游诗人的画廊都是吕蓓卡的杰作。她懂得每个人的心理，善于左右逢源，取得每个人的喜欢，使人们完全相信她，崇拜她。 “她长得那么美，才华出众，又会迎合别人，所以连当时那位人们最难讨好的老奶奶，也从一开始就喜欢她。奶奶对我说： “一个妻子得有三种美德：教养，头脑和姿色。她三样具备。除却她的美丽能干外，吕蓓卡个性极强。“没人制服得了她她一向我型我素，爱怎么就怎么，她周身的力气，真不下于一头狮子”。吕蓓卡在十六岁那年曾经制服了一匹烈马“那匹马已经遍体鳞伤，血迹斑斑，满嘴白沫，不住打哆嗦”。与她个性极强相伴的是她强烈的征服欲望，“我要看着他们先进地狱。” “我爱怎么生活就怎么生活，全世界的人都站出来也拦不住我”。吕蓓卡对男性的摆布在童年时代即已经开始了，“她父亲任她摆布”，她在十四岁时和自己的表兄同乘一辆车，因为表兄试图抓缰绳，她就把他敲下了马车。她在婚后的第五天与迈克西姆达成协议，她来管家，但是她的私生活不受干涉。在管理好曼陀丽的同时，她把男人当作猎物一样来猎取，连迈克西姆的姐夫未能幸免成为猎物，甚至仆人弗兰克也受到挑逗。“除了她自己，她谁也不爱。”把吕蓓卡疯狂的病态的征服欲望揭示出来，甚至在身患绝症，时日无多的情况下设下圈套，激怒迈克西姆让他冲动中杀死自己。使迈克西姆处于她的摆布中却无力自拔，背上了沉重的心理罪责。
蝴蝶梦英语读后感篇四
《蝴蝶梦观后感》
学号：AP0709217 姓名：林国锋 科目：影视鉴赏
《蝴蝶梦》观后感
这个学期我选修了《影视鉴赏》这个课程。因为这个课程经常放电影看的，所以我很喜欢这个课程，不过上了几周课之后我觉得这个课程慢慢地让我学会了怎么去看待一部电影，也让我学会了怎样去评价一部好的电影。观看了那么多部电影，其中《蝴蝶梦》这部让我久久回味。在此写下我观看后的感想。
本片的故事结构以女主人公回忆的方式倒叙开始。影片开头便以一个极长的镜头，同时配上诗一般的语言构造出具有宁静，悠远而唯美的气氛的世界——这可以说是本片的精华之一，只是若想体会她也许得把整部影片看完了才更有效果！紧接下来——男女主人公去庄园以前的这一部分导演处理的轻快而简洁，剪辑快速而流畅，用清新而幽默的方式勾勒出女主人公清纯活泼而率真的性格，但在某些对话中“暗藏杀机”，暗示出男主人公的阴郁往事，使影片游移在一种带一丝悲观的欢快气氛中。
女主人公在庄园中的经历是本片的重头戏，这一段始终沉浸在迷雾般的气氛与神经质般的节奏中。在这里可以看到很多经典的西区科克式的制造进展氛围的手法：镜头的缓慢的微微晃动的推移，音乐恰到好处的起落，利落而又微带跳跃的剪辑，镜头的突然变换和人物无声息的不可预期的突然出现等等。这些技巧虽然已被后人用滥了，但能像本片如此微妙到“杀人不见血”的地步的却寥寥无几！
但这一部分最令我佩服的不是这些，而是导演通过影像对人物内心的情绪和心理的细腻刻画！大量表现主义手法的运用——巧妙采用黑白光影的鲜明对比和室内物件与室外植物的斑驳错乱的投影，烘托出虽唯美而赋有诗意，但又紧张，令人眩晕不安，同时又带有一点超现实的气氛；模糊的雾气更暗示了人物内心的迷茫和不安，大大增加了本片的艺术渲染力！给我印象最深的是男女主人公在观看蜜月录像的那一段，同样的一处场景，经过前后两次不同角度的拍摄居然能产生如此大的气氛反差！后半部分通过银幕黑白对比与光线的回闪变化反映人物复杂的内心，这里光影的变化是如此的微妙，和人物心理的变化是如此的对应和同步，以至于几乎仅用这一手法就能表达一切！只有黑白片才能有如此强烈的效果。
这部分虽然节奏起伏多变，但变化却十分柔和精妙，这种细致是只有某些文艺片才能达到的。我认为能有这种效果除了导演对镜头调度和剪切的精致处理外很大程度上归功于无所不在而又变化莫测的配乐。影片的声画结合几乎完美，尤其是几处拉窗帘，以及女主人公穿这盛装下楼梯一边期待丈夫回头的段落，令人拍案叫绝！
从男女主人公在海边小屋里的对白结束开始，影片的情节趋于明了，但同时也微显平淡，我个人认为整个审判那一段有一些过于冗长和干涩，人物的对白略显罗嗦（至少对于母语非英语的观众来说是这样），和整部影片的基调有些不调和，结构上略欠张力。当然，有几处细节还是很见功力，例如法庭上对女主人公的脸部特写，很有紧张感。
影片的结局处理的很有力度和韵味，弥补了前一段的不足，同时与开头衔接，可谓一气呵成，又留下几许回味。这时如果你记得开头，相信你一定会有想再次去品味她的冲动！其实这个结局在前文已有了暗示（可以注意男女主人公在壁炉前拥抱的那一段），这种微妙的手法在西区科克的其他作品中也有所体现，如美人计中的几处酒瓶特写。
人物的塑造也是本片的一大亮点。影片多方位的细腻展现了一个率直，纯洁，善良而又痴情的柔弱女子的形象以及她面对陌生冷酷而又迷乱的环境时的内心世界，由影星joan fontaine主演，我认为总的来说比较到位，只是在个别细节上处理的略为单一化；本片的人物设置不禁让人想起了去年的“小岛惊魂”，相比之下，kidman更加收放自如一点，但不可否认的是fontaine所饰的角色难度高；两部影片中的女管家也有相同之处，两位演员表现的都十分精彩，但小岛惊魂中的角色难度系数更高，蝴蝶梦中的那位更多是靠形象和特写来展现。本片男主人公由laurence olivier扮演，其形象和气质和角色都很相符，虽无十分出彩之处，倒还自然。
此片是西区科克自英赴美指导的第一部影片，后来成为家庭悬疑片竞相模仿的对象。如今看来，六十年前的光与影至今依然毫无退色，依然能如此打动人心！我不知道为何此片中文译名为“蝴蝶梦”，但我很喜爱这个名字，也许是因为她如影片本身一样幽静，柔美而缥缈的缘故吧！相信这种感觉一定会永久的留在我的心中。
Writer: Daphne du Maurier
The time of the first edition: 1938
A report of Rebecca
Recently, I have read a book named Rebecca written by Daphne du Maurier. It is one of the most successful works of Daphne du Maurier. Also, it is a story which is famous all around the world. Daphne du Maurier described a character that is innocent and pure. The author used the first narration and the narrator became the hostess of the Manderley. However, the past hostess whose name is Rebecca was so influential and the narrator and her husband’s life were affected by that woman. Although at the end of the story the narrator and her husband overcame the difficulties, Manderley was burnt by Rebecca’s servant, Mrs. Danvers.
This story told us a story which happened in Britain. The main characters of the book are Rebecca, Maxim and the narrator. I’d like to write something about the narrator, though the main character of this novel is Rebecca. The narrator and Maxim were met in France and they fell in love in those days. Then, Maxim married with her and they went back to Manderley together. Manderley was beautiful and famous, but their life there was not so pleasant for they were affected by Maxim’s ex-wife. Rebecca was said to be beautiful, talented, bright and ebullient. The narrator was jealous of Rebecca and she became self-abased. The ending met my expectation for Maxim and the narrator overcame the difficulties, though their home, Manderley, was ruined.
There is no perfect person in the world. The narrator also has her merits and demerits. On the one hand, the narrator has many good qualities. She was good-natured, kind and friendly. She didn’t stand on her dignity and treat Mrs. Danvers and the others in Manderley like servants. Although Mrs. Danvers was mean to her and all the servants compared her with Rebecca, she didn’t blame them. In the opposite, she tried to make friends with all the people in the Manderley. Also, she was sincere and faithful. She fell in love with Maxim for his personality instead of his wealthy. She married with Maxim in spite of he was much older than she. She
Writer: Daphne du Maurier
The time of the first edition: 1938
comforted and accompanied him when he was upset. She tried to attract Maxim’s attention and give him surprises. She wore new dress and changed her hair style. She even tried to hold a party, though it was a failure. She didn’t care about whether she lives luxury or poor. She insisted to accompany Maxim, though she had known that it was Maxim who killed Rebecca. When Maxim was asked by the lawyer, she fainted dead. The narrator didn’t care about whether Maxim was a suspect or not, she loves him. She concerned about Maxim so much.
On the other hand, the narrator has some demerits. First, she wasn’t confident enough. Sometimes, she was self-abased. When Maxim wooed her, she thought it was a sort of compassion. Even she was married Maxim and became his wife, she always thought that Rebecca was Maxim’s only beloved goodness. Besides, when the servants in the Manderley compared her with Rebecca, she felt disappointed and upset. She was too lenient and did not command respect. She was afraid of Mrs. Danvers and the already dead Rebecca. In addition, she was timid. She was scared when Mrs. Danvers showed her around Rebecca’s bedroom. She had the illusion that as if Rebecca was still alive and she was being watched by Rebecca.
As far as I am concerned, the novel is really fantastic. Daphne du Maurier created a really good story and it attracts me a lot. We can imagine the two ladies through the author’s description. The narrator was sincere, faithful and kind. But she was lack of confidence. Rebecca was talented, beautiful and brilliant. However, she is indulged herself in luxury and excessive pleasure.
蝴蝶梦英语读后感篇六
《蝴蝶梦.Rebecca.1940-2》
[00:00.70]Looking for me ? Oh, I didn't make you jump, did I ? [00:03.60][00:03.60]No, of course not. I didn't quite know who it was. [00:06.50][00:06.60]- [Jasper Barking ] - Yes, you're pleased to see me, aren't you, old boy ? [00:11.30][00:11.20]I'm glad there's someone in the family to welcome me back to Manderley. [00:15.30][00:16.30]And, um, how is dear old Max ? [00:19.60][00:19.60]Very well, thank you. [00:21.80][00:21.80]I hear he went up to London, left his little bride all alone. [00:25.50][00:25.40]That's too bad. [00:27.30][00:27.40]Isn't he rather afraid that somebody might come down and carry you off? [00:31.20][00:32.80]Danny, all your precautions were in vain. [00:35.90][00:35.90]The mistress of the house was hiding behind the door. [00:38.70][00:41.00]Oh, what about presenting me to the bride ? [00:44.60][00:44.50]- This is Mr. Favell, madam. - How do you do ? [00:48.30][00:49.60]How do you do ? [00:51.50][00:53.10]Won't you have some tea or something ? [00:55.40][00:55.40]Now, isn't that a charming invitation ? [00:57.50][00:57.50]I've been asked to stay to tea, Danny, and I've a good mind to accept. [01:01.10][01:01.00]Oh, well, perhaps you're right. Pity, just when we were getting on so nicely. [01:05.20][01:05.20]We mustn't lead the young bride astray, must we,Jasper ? [01:08.40][01:08.30]Good-bye. It's been fun meeting you. [01:11.60][01:11.60]Oh, and by the way, it would be very decent of you... [01:14.80][01:14.70]if you wouldn't mention this little visit to your revered husband. [01:17.80][01:17.80]He doesn't exactly approve of me. [01:20.60][01:20.60]- Very well. - That's very sporting of you. [01:23.80][01:23.80]I wish I had a young bride of three months waiting for me at home. [01:27.70][01:27.60]I'm just a lonely old bachelor. [01:30.90][01:30.90]Fare thee well. [ Grunts ] [01:33.20][01:33.20]Oh, and I know what was wrong with that introduction. [01:36.20][01:36.10]Danny didn't tell you, did she ? I am Rebecca's favorite cousin. [01:40.40][01:42.50]Toodle-oo. [01:44.40][03:32.90][ Window Slams ] [03:35.30][03:36.90]Do you wish anything, madam ? [03:39.50][03:45.30]I didn't expect to see you, Mrs. Danvers. [03:47.60][03:47.60]I noticed a window wasn't closed, and I came up to see if I could fasten it. [03:51.40][03:51.40]Why did you say that ? I closed it before I left the room. [03:55.00][03:54.90]You opened it yourself, didn't you ? [03:58.20][03:58.20]You've always wanted to see this room, haven't you, madam ? [04:01.50][04:01.40]Why did you never ask me to show it to you ? [04:04.00][04:04.00]I was ready to show it to you every day. [04:06.90][04:10.70]It's a lovely room, isn't it ? [04:13.00][04:13.00]The loveliest room you've ever seen. [04:15.60][04:15.60]Everything is kept just as Mrs. de Winter liked it. [04:18.60][04:18.60]Nothing has been alt
ered since that last night. [04:22.00][04:22.00]Come. I'll show you her dressing room. [04:24.50][04:25.80]This is where I keep all her clothes. [04:28.70][04:30.20]You would like to see them, wouldn't you ? [04:33.00][04:43.50]Feel this. [04:45.50][04:45.60]It was a Christmas present from Mr. de Winter. [04:49.00][04:52.10]He was always giving her expensive gifts, the whole year round. [04:55.40][04:57.40]I keep her underwear on this side. [05:00.20][05:02.30]They were made specially for her by the nuns in the Convent of St. Claire. [05:06.20][05:09.60]I always used to wait up for her, no matter how late. [05:12.70][05:12.70]Sometimes she and Mr. de Winter didn't come home until dawn. [05:15.90][05:18.50]While she was undressing, she'd tell me about the party she'd been to. [05:21.90][05:21.80]She knew everyone that mattered, and everyone loved her. [05:26.00][05:28.10]When she'd fiinished her bath, [05:30.50][05:30.40]she'd go into the bedroom and go over to the dressing table. [05:34.00][05:43.70]Oh, you've moved her brush, haven't you ? [05:46.00][05:46.00]There, that's better-- just as she always laid it down. [05:49.20][05:49.20]''Come on, Danny, hair drill,'' she would say. [05:52.00][05:51.90]I'd stand behind her like this and brush away for 20 minutes at a time. [05:56.80][05:56.70]And then she would say, [05:59.20][05:59.30]''Good night, Danny,'' and step into her bed. [06:02.70][06:10.80]I embroidered this case for her myself, [06:13.10][06:13.10]and I keep it here always. [06:15.40][06:22.90]Did you ever see anything so delicate ? [06:25.80][06:38.40]Look, you can see my hand through it. [06:41.90][07:02.60]You wouldn't think she'd been gone so long, would you ? [07:06.20][07:06.20]Sometimes when I walk along the corridor, [07:09.10][07:09.00]I fancy I hear her just behind me. [07:11.60][07:11.60]That quick, light step. I couldn't mistake it anywhere. [07:15.60][07:15.60]It's not only in this room. It's in all the rooms in the house. [07:20.40][07:20.30]I can almost hear it now. [07:22.60][07:24.40]Do you think the dead come back and watch the living ? [07:27.30][07:27.30][ Sobbing ] No, I don't believe it. [07:30.00][07:30.10]Sometimes I wonder if she doesn't come back here to Manderley... [07:34.90][07:34.80]and watch you and Mr. de Winter together. [07:37.90][07:40.10]You look tired. Why don't you stay here a while and rest... [07:45.10][07:45.00]and listen to the sea ? [07:47.60][07:48.90]It's so soothing. [07:51.50][07:53.10]Listen to it. [07:55.00][07:58.30]Listen. [08:00.20][08:02.20]Listen to the sea. [08:04.30][08:31.70]Tell Mrs. Danvers I wish to see her immediately. [08:34.80][09:00.50]You sent for me, madam ? [09:03.10][09:03.00]Yes, Mrs. Danvers. [09:05.30][09:05.30]I want you to get rid of all these things. [09:07.60][09:07.60]These are Mrs. de
Winter's things. [09:09.60][09:09.60]I am Mrs. de Winter now. [09:12.80][09:12.80]Very well. I'll give the instructions. [09:15.80][09:15.80][ Car Horn Honking ] [09:19.20][09:19.30]Just a moment, please. [09:21.90][09:23.80]Mrs. Danvers, I intend to say nothing to Mr. de Winter about Mr. Favell's visit. [09:29.00][09:28.90]In fact, I'd prefer to forget everything that happened this afternoon. [09:33.50][09:41.60]Oh, Maxim, Maxim, you've been gone all day ! [09:44.20][09:44.20]You're choking me. Well. Well, well, well. [09:47.10][09:47.10]- What have you been doing ? - Oh, I've been thinking. [09:49.90][09:49.90]- What did you want to do that for ? - Come in here and I'll tell you. [09:53.40][09:54.70]Darling, could we have a costume ball... [09:57.30][09:57.30]just as you used to ? [10:00.10][10:00.10]Now, what put that into your mind ? [10:02.60][10:02.60]Has Beatrice been at you ? [10:04.50][10:04.50]No, no, but I feel that we ought to do something... [10:07.10][10:07.10]to make people feel that Manderley is just the same as it always was. [10:10.70][10:12.30]Oh, please, darling, could we ? [10:14.90][10:17.20]You don't know what it would mean, you know. [10:19.40][10:19.40]You would have to be hostess to hundreds of people, all the county. [10:23.20][10:23.20]And a lot of young people would come up from London and turn the house into a night club. [10:26.90][10:26.80]Oh, yes, but I want to. Oh, please. [10:29.00][10:29.00]I've never been to a large party, but I could learn what to do. [10:31.90][10:31.90]And I promise you, you wouldn't be ashamed of me. [10:34.80][10:42.40]All right, if you think you'd enjoy it. [10:44.40][10:44.40]You'd better get Mrs. Danvers to help you, hadn't you ? [10:46.80][10:46.90]No, no. I don't need Mrs. Danvers to help me. [10:49.30][10:49.30]- I can do it myself. - All right, my sweet. [10:51.50][10:51.50]Oh, thank you, darling. Thank you. [10:54.50][10:54.40]- Oh, what'll you go as ? - Oh, I never dress up. [10:57.80][10:57.80]That's the one privilege I claim as the host. [11:00.10][11:00.10]What will you be ? Alice in Wonderland with that ribbon around your hair ? [11:03.00][11:03.00]I won't tell. I'll design my costume... [11:04.90][11:04.90]all by myself and give you the surprise of your life. [11:06.90][11:06.90][ Both Laughing ] [11:09.30][11:22.10]-[ Knock At Door ] - Come in. [11:24.80][11:28.80]Robert found these sketches in the library, madam. [11:31.30][11:31.30]- Did you intend throwing them away ? - Yes, Mrs. Danvers, I did. [11:33.90][11:33.90]They were just some ideas I was sketching for my costume for the ball. [11:36.90][11:36.80]Hasn't Mr. de Winter suggested anything ? [11:38.90][11:38.90]No, I want to surprise him. I don't want him to know anything about it. [11:41.70][11:41.70]I merely thought that you might fiind a costume... [
11:44.40][11:44.40]among the family portraits that would suit you. [11:46.80][11:46.80]Oh, you mean those at the top of the stairs ? I'll go and look at them. [11:50.30][11:57.40]This one, for instance. It might have been designed for you. [12:01.30][12:01.20]I'm sure you could have it copied. [12:03.50][12:03.50]I've heard Mr. de Winter say that this is his favorite of all the paintings. [12:07.50][12:07.40]It's Lady Caroline de Winter, one of his ancestors. [12:10.40][12:10.40]Oh, well, well, that's a splendid idea, Mrs. Danvers. I'm-I'm very grateful. [12:15.10][12:40.60]- Everything under control, Frith ? - Yes, sir. Thank you. [12:43.70][12:43.70]Excuse me, sir. Are you supposed to be a schoolmaster ? [12:47.40][12:47.30]Oh, no, this is just my old cap and gown. [12:49.70][12:49.70]Certainly makes a very nice costume, sir, and economical too. [12:53.40][12:53.40]Yes. That was the idea. [12:56.40][13:06.30]Evening, Robert. Not very good weather for the ball. [13:09.20][13:09.20]- No, sir. - Very misty on the way and very chilly. [13:12.60][13:12.60]Oh, this wig's so tight, they ought to have sent an aspirin with it. [13:16.40][13:16.30]Hello. What's the idea ? Adam and Eve ? [13:18.90][13:18.90]- Oh, Maxim, don't be disgusting. - Strong man, old man. [13:21.70][13:21.70]- Where's my weight thing ? - What thing ? [13:23.80][13:23.80]- You haven't left it in the car ? - Oh, no, there it is. [13:26.00][13:27.20]Are you the fiirst one down ? Where's the child ? [13:29.70][13:29.70]She's keeping her costume a terrifiic secret. Wouldn't let me into her room. [13:32.90][13:33.00]Oh, lovely. [13:34.90][13:34.90]I'll go up and give her a hand. [13:37.20][13:37.20]- I could do with a drink. - Won't you catch cold in that thing ? [13:39.90][13:39.90]- Don't be silly. Pure wool, old boy. - [ Laughs ] [13:43.10][13:43.10]Pardon me, sir. You forgot this. [13:46.20][13:46.10]Oh, thank you. [13:48.10][13:51.80]Here I am, dear. It's Bee. I've come to give you a hand. [13:55.00][13:55.00]Oh, please don't come in, Beatrice. I don't want anyone to see my costume. [13:58.40][13:58.40]Oh. Oh, well, you won't be long, will you ? [14:00.90][14:00.90]Because the fiirst people will be arriving any moment. [14:03.90][14:04.00]- Now, you're sure that's where that should be ? - Yes, madam, it's just right. [14:06.90][14:06.80]- Oh, isn't this exciting ? - Indeed it is, madam. [14:09.10][14:09.10]I've always heard of the Manderley Ball. Now I'm really going to see one. [14:12.00][14:12.00]I'm sure there'll be no one there to touch you, madam. [14:14.50][14:14.50]Do you really think so ? Now, where's my fan ? [14:17.20][14:17.20]Now, you're sure I look all right ? [14:19.70][14:19.70]You look ever so beautiful. [14:22.10][14:23.90]Well, here goes. [14:26.10][15:21.30][ Chattering, Laughing ] [15:24.50][15:24.40]Go
od evening, Mr. de Winter. [15:26.80][15:32.20]What the devil do you think you're doing ? [15:34.20][15:34.30]Rebecca ! Oh. [15:36.20][15:36.20]But i-it's the picture, the one in the gallery. [15:40.00][15:42.30]What is it ? What have I done ? [15:44.70][15:44.70]Go and take it off. It doesn't matter what you put on. Anything will do. [15:48.60][15:50.10]What are you standing there for ? Didn't you hear what I said ? [15:53.60][15:53.60]Sir George and Lady Moore. [15:56.10][15:56.10]Dudley Tennant. Admiral and Lady Burbank. [15:58.90][16:18.50]I watched you go down... just as I watched her a year ago. [16:22.00][16:22.00]Even in the same dress, you couldn't compare. [16:24.40][16:24.40]You knew it ! You knew that she wore it, [16:26.70][16:26.70]and yet you deliberately suggested I wear it ! [16:29.40][16:29.40]Why do you hate me ? What have I done to you that you should ever hate me so ? [16:32.20][16:32.10]You tried to take her place. You let him marry you. [16:34.10][16:34.20]I've seen his face, his eyes. [16:36.10][16:36.10]They're the same as those fiirst weeks after she died. [16:38.30][16:38.30]I used to listen to him walking up and down, up and down, [16:41.50][16:41.40]all night long, night after night, [16:43.50][16:43.70]thinking of her, suffering torture because he'd lost her. [16:46.90][16:46.70]I don't want to know. I don't want to know. [16:49.90][16:49.90]You thought you could be Mrs. de Winter, [16:52.10][16:52.10]live in her house, walk in her steps, take the things that were hers. [16:55.20][16:55.20]But she's too strong for you. You can't fiight her. [16:57.60][16:57.60]No one ever got the better of her, never, never. [17:00.10][17:00.10]She was beaten in the end, but it wasn't a man, it wasn't a woman. [17:03.10][17:03.00]- It was the sea ! - Oh, stop it, stop it. Oh, stop it. [17:07.20][17:07.20][ Sobbing Continues ] [17:10.30][17:26.00]You're overwrought, madam. I've opened a window for you. [17:29.90][17:29.90]A little air will do you good. [17:32.80][17:45.40]Why don't you go ? Why don't you leave Manderley ? [17:49.10][17:49.10]He doesn't need you. [17:51.90][17:51.80]He's got his memories. [17:54.10][17:54.10]He doesn't love you. He wants to be alone again with her. [17:57.40][17:58.90]You've nothing to stay for. [18:01.60][18:01.60]You've nothing to live for, really, have you ? [18:05.10][18:05.10]Look down there. It's easy, isn't it ? [18:09.30][18:09.20]Why don't you ? [18:11.90][18:11.90]Why don't you ? [18:14.00][18:15.40]Go on... go on. [18:19.40][18:19.50]Don't be afraid. [18:22.20][18:27.40][ Explosion ] [18:30.20][18:30.20][ Shouting, Chattering ] [18:32.20][18:32.20][ Man ] Shipwreck! Ship on the rocks! [18:34.70][18:34.70]It's a ship aground, sending up rockets. [18:36.60][18:36.60]Shipwreck ! Come on, everybody, down to the bay ! N
蝴蝶梦英语读后感篇七
《英语专业必读书》
英语专业建议阅读参考书目
(1)英国文学
Lucky Jim-----Kingsley Amis 《幸运的吉姆》
Pride and Prejudice-----Jane Austen 《傲慢与偏见》
The Old Wives’ Tale-----Elizabeth Bowen 《荒诞故事集》
The Death of the heart-----Elizabeth Bowen 《心之死》
Jane Eyre-----Chariotte Bronte 《简爱》
Wuthering Heights-----Emily Bronte 《呼啸山庄》
A Clockwork Orange-----Anthony Burgess 《发条橙子》
The Way of All Flesh-----Samuel Butler 《众生之路》
Possession-----A.S.Byatt 《占有》
Alice’s Adventures in Wonderland-----Lewis Carroll 《爱丽丝梦游仙境》
The Company of Wolves-----Angela Carter 《狼群》
Murder on the Orient Express-----Agatha Christie 《东方快车谋杀案》
A Family and a Fortune-----Ivy Compton-Burnett 《家庭和财富》
Heart of Darkness; Lord Jim-----Joseph Conrad 《黑暗的心,吉姆老爷》
Robinson Crusoe-----Daniel Defoe 《鲁滨逊漂流记》
David Copperfield-----Charles Dickens 《大卫科波菲尔》
The Adventures of Sherlock Holmes-----Sir Arthur C.Doyle《福尔摩斯探案
集》
The Waterfall-----Margaret Drabble 《瀑布》
Rebecca-----Daphne Du Maurier 《蝴蝶梦》
Middlemarch-----George Eliot 《米德尔马契》
Howards End; A passage to India-----E.M.Forster 《霍华德庄园》 《印度之旅》
The French Lieutenant’s Woman-----John Fowles 《法国中尉的女人》
The Man of Property-----John Galsworthy 《财主》
Lord of the Flies-----William Golding 《蝇王》
The Human Factor-----Graham Greene 《成事在天》
Tess of the D’Urbervilles; Jude The Obscure -----Thomas Hardy 《苔丝，无名的裘德》
After Many a Summer-----Aldous Huxley 《许多个夏天之后》
Daisy Miller-----Henry James 《戴茜·米勒》
A Portrait of the Artist as a Young Man-----James Joyce 《青年艺术家画像，尤利西斯》
Kim-----Rudyard Kipling 《金姆》
Tales from Shakespeare-----Charles Lamb 《莎士比亚故事集》
Sons and Lovers-----D.H.Lawrence 《儿子与情人》
The Spy Who Came in from the Cold-----John Le Carre 《冷战谍魂》
The Grass is Singing-----Doris Lessing 《野草在歌唱》
Nice Work-----David Lodge 《好工作》
The Moon and Sixpence; of Human Bondage-----W.Somerest Maugam 《月亮和六便士》, 《人性的枷锁》
The Black Prince-----Iris Murdoch 《黑王子》
Nineteen Eight-four-----George Orwell 《1984》
Midnight Children-----Salman Rushdie 《午夜的孩子》
Ivanhoe-----Sir Walter Scott 《艾凡赫》
The Affair-----C.P.Snow 《丑闻》
(2)美国文学
Sherwood Anderson----Winesburg, Ohio《小城畸人》
James Baldwin----Go Tell It on the Mountain《高山上的呼喊》
Saul Bellow----Seize the Day《勿失良辰》, Henderson the Rain King 《雨王韩德森》
Willam S.Burroughs----The Naked Lunch 《赤裸的午餐》
Willa Cather----My Antonia 《我的安东尼亚》
Kate Chopin----The Awakening《觉醒》
Stephen Crane----The Red Badge of Courage 《红色英勇勋章》
Theodore Dreiser----Sister Carrie《嘉莉妹妹》, An American Tragedy《美国悲剧》
Ralph Ellison----Invisible Man《隐形人》
William Faulkner----Go Down, Moses《去吧，摩西》, The Sound and the Fury《喧哗与骚动》
F. Scott Fitzgerald----The Great Gatsby 《伟大的盖茨比》
Alex Haley----Roots 《根》
Nathaniel Hawthorne----The Scarlet Letter《红字》
Joseph Heller----Catch-22 《22条军规》
Ernest Hemingway----The Sun Also Rises《太阳照常升起》, The Old Man and the Sea《老人与海》
James Jones----From Here to Eternity《乱世忠魂》
Maxine Hong Kingston----The Woman Warrior《女勇士》
Harper lee----To Kill a Mockingbird《杀死一只知更鸟》
Sinclair Lewis----Main Street 《大街》
Jack London----The Call of the Wild 《野性的呼唤》Martin Eden 《马丁·伊登》
Norman Mailer----The Naked and the Dead《裸者与死者》
Carson McCullers ----The Heart Is a Lonely Hunter 《寂寞的心》或《心是孤独的猎手》
James A. Michener----Centennial
Margaret Mitchell----Gone with the Wind 《乱世佳人》
Toni Morrison----The Bluest Eye 《最蓝的眼睛》
Vladimir Nabokov----Lolita 《洛丽塔》
Frank Norris----The Octopus《章鱼》
J.D.Salinger----The Catcher in the Rye《麦田里的守望者》
Erich Segal----Man, Woman and Child 《男人、女人和孩子》
Upton Sinclair----The Jungle 《丛林》
John Steinbeck----The Grapes of Wrath《愤怒的葡萄》
Harriet Beecher Stowe----Uncle Tom's Cabin 《汤姆叔叔的小屋》
William Styron----Sophie's Choice《苏菲的抉择》
Mark Twain----The Adventures of Huckleberry Finn ， The Prince and the Pauper《哈克贝利·费恩历险记》《王子与贫儿》
Alice Walker----The Color Purple《紫色》
Robert Penn Warren----All the King's Men《国王班底》
Edith Wharton----The Age of Innocence 《纯真年代》
Thornton Wilder----The Bridge of San Luis Rey 《圣路易斯雷的大桥》
Thomas Wolfe----Look Homeward, Angel《天使，望故乡》
Herman Wouk----The Winds of War《战争风云》
Richard Wright----Native Son《土生子》
Louisa May Alcott----Little Women 《小妇人》
(3)加拿大文学 Morley Callaghan----That Summer in Paris 《巴黎的夏天》
Northrop Frye----The Great Code 《伟大的代码》
Margaret Laurence----The Stone Angel 《天使不流泪》
Stephen Leacock----Sunshine Sketches of a Little Town《小镇艳阳录》 Malcolm Lowry----Under the Volcano 《火山之下》
Hugh MacLennan----The Watch That Ends the Night 《终结夜晚的手表》 L.M.Montgomery----Anne of Green Gables 《绿山墙的安妮》
蝴蝶梦英语读后感篇八
《英语专业必读书》
英语专业必读书
英语专业建议阅读参考书目
(1) 英国文学
Lucky Jim-----Kingsley Amis 《幸运的吉姆》
Pride and Prejudice-----Jane Austen 《傲慢与偏见》
The Old Wives’ Tale-----Elizabeth Bowen 《荒诞故事集》
The Death of the heart-----Elizabeth Bowen 《心之死》
Jane Eyre-----Chariotte Bronte 《简爱》
Wuthering Heights-----Emily Bronte 《呼啸山庄》
A Clockwork Orange-----Anthony Burgess 《发条橙子》
The Way of All Flesh-----Samuel Butler 《众生之路》
Possession-----A.S.Byatt 《占有》
Alice’s Adventures in Wonderland-----Lewis Carroll 《爱丽丝梦游仙境》 The Company of Wolves-----Angela Carter 《狼群》
Murder on the Orient Express-----Agatha Christie 《东方快车谋杀案》
A Family and a Fortune-----Ivy Compton-Burnett 《家庭和财富》
Heart of Darkness; Lord Jim-----Joseph Conrad 《黑暗的心,吉姆老爷》 Robinson Crusoe-----Daniel Defoe 《鲁滨逊漂流记》
David Copperfield-----Charles Dickens 《大卫科波菲尔》
The Adventures of Sherlock Holmes-----Sir Arthur C.Doyle《福尔摩斯探案集》
The Waterfall-----Margaret Drabble 《瀑布》
Rebecca-----Daphne Du Maurier 《蝴蝶梦》
Middlemarch-----George Eliot 《米德尔马契》
Howards End; A passage to India-----E.M.Forster 《霍华德庄园》 《印度之旅》
The French Lieutenant’s Woman-----John Fowles 《法国中尉的女人》 The Man of Property-----John Galsworthy 《财主》
Lord of the Flies-----William Golding 《蝇王》
The Human Factor-----Graham Greene 《成事在天》
Tess of the D’Urbervilles; Jude The Obscure -----Thomas Hardy 《苔丝，无名的裘德》
After Many a Summer-----Aldous Huxley 《许多个夏天之后》
Daisy Miller-----Henry James 《戴茜·米勒》
A Portrait of the Artist as a Young Man-----James Joyce 《青年艺术家画像，尤利西斯》
Kim-----Rudyard Kipling 《金姆》
Tales from Shakespeare-----Charles Lamb 《莎士比亚故事集》
Sons and Lovers-----D.H.Lawrence 《儿子与情人》
The Spy Who Came in from the Cold-----John Le Carre 《冷战谍魂》 The Grass is Singing-----Doris Lessing 《野草在歌唱》
Nice Work-----David Lodge 《好工作》
The Moon and Sixpence; of Human Bondage-----W.Somerest Maugam 《月亮和六便士》, 《人性的枷锁》
The Black Prince-----Iris Murdoch 《黑王子》
Nineteen Eight-four-----George Orwell 《1984》
Midnight Children-----Salman Rushdie 《午夜的孩子》
Ivanhoe-----Sir Walter Scott 《艾凡赫》
The Affair-----C.P.Snow 《丑闻》
(2) 美国文学
Sherwood Anderson----Winesburg, Ohio《小城畸人》
James Baldwin----Go Tell It on the Mountain《高山上的呼喊》
Saul Bellow----Seize the Day《勿失良辰》, Henderson the Rain King 《雨王韩德森》
Willam S.Burroughs----The Naked Lunch 《赤裸的午餐》
Willa Cather----My Antonia 《我的安东尼亚》
Kate Chopin----The Awakening《觉醒》
Stephen Crane----The Red Badge of Courage 《红色英勇勋章》
Theodore Dreiser----Sister Carrie《嘉莉妹妹》, An American Tragedy《美国悲剧》
Ralph Ellison----Invisible Man《隐形人》
William Faulkner----Go Down, Moses《去吧，摩西》, The Sound and the Fury《喧哗与骚动》
F. Scott Fitzgerald----The Great Gatsby 《伟大的盖茨比》
Alex Haley----Roots 《根》
Nathaniel Hawthorne----The Scarlet Letter《红字》
Joseph Heller----Catch-22 《22条军规》
Ernest Hemingway----The Sun Also Rises《太阳照常升起》, The Old Man and the Sea《老人与海》
James Jones----From Here to Eternity《乱世忠魂》
Maxine Hong Kingston----The Woman Warrior《女勇士》
Harper lee----To Kill a Mockingbird《杀死一只知更鸟》
Sinclair Lewis----Main Street 《大街》
Jack London----The Call of the Wild 《野性的呼唤》Martin Eden 《马丁?伊登》
Norman Mailer----The Naked and the Dead《裸者与死者》
Carson McCullers ----The Heart Is a Lonely Hunter 《寂寞的心》或《心是孤独的猎手》
James A. Michener----Centennial
Margaret Mitchell----Gone with the Wind 《乱世佳人》
Toni Morrison----The Bluest Eye 《最蓝的眼睛》
Vladimir Nabokov----Lolita 《洛丽塔》
Frank Norris----The Octopus《章鱼》
J.D.Salinger----The Catcher in the Rye《麦田里的守望者》
Erich Segal----Man, Woman and Child 《男人、女人和孩子》
Upton Sinclair----The Jungle 《丛林》
John Steinbeck----The Grapes of Wrath《愤怒的葡萄》
Harriet Beecher Stowe----Uncle Tom's Cabin 《汤姆叔叔的小屋》 William Styron----Sophie's Choice《苏菲的抉择》
Mark Twain----The Adventures of Huckleberry Finn ， The Prince and the Pauper《哈克贝利?费恩历险记》《王子与贫儿》
Alice Walker----The Color Purple《紫色》
Robert Penn Warren----All the King's Men《国王班底》
Edith Wharton----The Age of Innocence 《纯真年代》
Thornton Wilder----The Bridge of San Luis Rey 《圣路易斯雷的大桥》 Thomas Wolfe----Look Homeward, Angel《天使，望故乡》
Herman Wouk----The Winds of War《战争风云》
Richard Wright----Native Son《土生子》
Louisa May Alcott----Little Women 《小妇人》
(3) 加拿大文学
Morley Callaghan----That Summer in Paris 《巴黎的夏天》
Northrop Frye----The Great Code 《伟大的代码》
Margaret Laurence----The Stone Angel 《天使不流泪》
Stephen Leacock----Sunshine Sketches of a Little Town《小镇艳阳录》 Malcolm Lowry----Under the Volcano 《火山之下》
Hugh MacLennan----The Watch That Ends the Night 《终结夜晚的手表》 L.M.Montgomery----Anne of Green Gables 《绿山墙的安妮》
(4) 澳大利亚文学
Martin Boyd----Lucinda Brayford 《露辛达·布雷福特》
Peter Carey----Oscar and Lucinda 《奥斯卡与露辛达》
Miles Franklin----My Brilliant Career 《我的璀璨生涯》
Thomas Keneally----Shindler's Ark 《辛德勒的方舟》
Alex Miller----The Ancestor Game 《祖先的游戏》
Henry Handel Richardson----The Fortunes of Richard Mahony 《理查德·马奥尼的命运》
Christina Stead----The Man Who Loved Children 《爱孩子的男人》
蝴蝶梦英语读后感篇九
《英语专业必读书》
英语专业必读书
英语专业建议阅读参考书目
(1) 英国文学
The Canterbury Tales --- Geoffery Chaucer 《坎特伯雷故事集》乔叟著 Hamlet----William Shakespeare 《哈姆雷特》莎士比亚著
Waiting For Godot ----Samuel Beckett《等待戈多》贝克特著
Ode to a Nightingale ----by John Keats 《夜莺颂》 济慈著
The Waste Land ----by T. S. Eliot《荒原》 汤姆斯·斯特·爱略特 Lucky Jim-----Kingsley Amis 《幸运的吉姆》
Pride and Prejudice-----Jane Austen 《傲慢与偏见》
Jane Eyre-----Chariotte Bronte 《简爱》
Wuthering Heights-----Emily Bronte 《呼啸山庄》
Alice’s Adventures in Wonderland-----Lewis Carroll 《爱丽丝梦游仙境》 The Moon and Sixpence; of Human Bondage-----W.Somerest Maugam 《月亮和六便士》, 《人性的枷锁》
Murder on the Orient Express-----Agatha Christie 《东方快车谋杀案》 Robinson Crusoe-----Daniel Defoe 《鲁滨逊漂流记》
David Copperfield-----Charles Dickens 《大卫科波菲尔》
The Adventures of Sherlock Holmes-----Sir Arthur C.Doyle《福尔摩斯探案集》 Rebecca-----Daphne Du Maurier 《蝴蝶梦》
The French Lieutenant’s Woman-----John Fowles 《法国中尉的女人》
Tess of the D’Urbervilles; Jude The Obscure -----Thomas Hardy 《苔丝》，《无名的裘德》
Ulysses----James Joyce 《尤利西斯》
Tales from Shakespeare-----Charles Lamb 《莎士比亚故事集》
Sons and Lovers-----D.H.Lawrence 《儿子与情人》
Daisy Miller-----Henry James 《戴茜·米勒
(2) 美国文学
Walden----by Henry David Thoreau 《瓦尔豋湖》 梭罗著
Leaves of Grass ----by Walt Whitman 《草叶集》 惠特曼著
Death of a Salesman ----by Eugene O’Neill 《推销员之死》 尤金·奥尼尔著 Theodore Dreiser----Sister Carrie《嘉莉妹妹》, An American Tragedy《美国悲剧》 Ralph Ellison----Invisible Man《隐形人》
William Faulkner----Go Down, Moses《去吧，摩西》, The Sound and the Fury《喧哗与骚动》
F. Scott Fitzgerald----The Great Gatsby 《伟大的盖茨比》
Alex Haley----Roots 《根》
Nathaniel Hawthorne----The Scarlet Letter《红字》
Joseph Heller----Catch-22 《22条军规》
Ernest Hemingway----The Sun Also Rises《太阳照常升起》, The Old Man and the Sea《老人与海》
Harper lee----To Kill a Mockingbird《杀死一只知更鸟》
Jack London----The Call of the Wild 《野性的呼唤》Martin Eden 《马丁·伊登》 Margaret Mitchell----Gone with the Wind 《乱世佳人》
Toni Morrison----The Bluest Eye 《最蓝的眼睛》
Vladimir Nabokov----Lolita 《洛丽塔》
J.D.Salinger----The Catcher in the Rye《麦田里的守望者》
John Steinbeck----The Grapes of Wrath《愤怒的葡萄》
Harriet Beecher Stowe----Uncle Tom's Cabin 《汤姆叔叔的小屋》
Norman Mailer----The Naked and the Dead《裸者与死者》
William Styron----Sophie's Choice《苏菲的抉择》
Mark Twain----The Adventures of Huckleberry Finn ， The Prince and the Pauper《哈克贝利·费恩历险记》《王子与贫儿》
Alice Walker----The Color Purple《紫色》
Edith Wharton----The Age of Innocence 《纯真年代》
Louisa May Alcott----Little Women 《小妇人》
Henry James---- The Portrait of a Lady 《贵妇画像》
另外推荐一些学习参考书：
1. 《英译中国现代散文选》---张培基译注
2. 《散文佳作108篇》英汉汉英对照
3. 《薄冰大学英语语法》（这本书可以再百度应用中找到）
4. 同学们在选购或是参考语法书的时候除了薄冰，还有张道真，章振邦的语法书可以参考。
蝴蝶梦英语读后感篇十
《英语专业必读书》
英语专业必读书
英语专业建议阅读参考书目
(1) 英国文学
Lucky Jim-----Kingsley Amis 《幸运的吉姆》
Pride and Prejudice-----Jane Austen 《傲慢与偏见》
The Old Wives’ Tale-----Elizabeth Bowen 《荒诞故事集》
The Death of the heart-----Elizabeth Bowen 《心之死》
Jane Eyre-----Chariotte Bronte 《简爱》
Wuthering Heights-----Emily Bronte 《呼啸山庄》
A Clockwork Orange-----Anthony Burgess 《发条橙子》
The Way of All Flesh-----Samuel Butler 《众生之路》
Possession-----A.S.Byatt 《占有》
Alice’s Adventures in Wonderland-----Lewis Carroll 《爱丽丝梦游仙境》 The Company of Wolves-----Angela Carter 《狼群》
Murder on the Orient Express-----Agatha Christie 《东方快车谋杀案》
A Family and a Fortune-----Ivy Compton-Burnett 《家庭和财富》 Heart of Darkness; Lord Jim-----Joseph Conrad 《黑暗的心,吉姆老爷》 Robinson Crusoe-----Daniel Defoe 《鲁滨逊漂流记》
David Copperfield-----Charles Dickens 《大卫科波菲尔》
The Adventures of Sherlock Holmes-----Sir Arthur C.Doyle《福尔摩斯探案集》 The Waterfall-----Margaret Drabble 《瀑布》
Rebecca-----Daphne Du Maurier 《蝴蝶梦》
Middlemarch-----George Eliot 《米德尔马契》
Howards End; A passage to India-----E.M.Forster 《霍华德庄园》 《印度之旅》 The French Lieutenant’s Woman-----John Fowles 《法国中尉的女人》 The Man of Property-----John Galsworthy 《财主》
Lord of the Flies-----William Golding 《蝇王》
The Human Factor-----Graham Greene 《成事在天》
Tess of the D’Urbervilles; Jude The Obscure -----Thomas Hardy 《苔丝，无名的裘德》
After Many a Summer-----Aldous Huxley 《许多个夏天之后》
Daisy Miller-----Henry James 《戴茜?米勒》
A Portrait of the Artist as a Young Man-----James Joyce 《青年艺术家画像，尤利西斯》
Kim-----Rudyard Kipling 《金姆》
Tales from Shakespeare-----Charles Lamb 《莎士比亚故事集》
Sons and Lovers-----D.H.Lawrence 《儿子与情人》
The Spy Who Came in from the Cold-----John Le Carre 《冷战谍魂》 The Grass is Singing-----Doris Lessing 《野草在歌唱》
Nice Work-----David Lodge 《好工作》
The Moon and Sixpence; of Human Bondage-----W.Somerest Maugam
《月亮和六便士》, 《人性的枷锁》
The Black Prince-----Iris Murdoch 《黑王子》
Nineteen Eight-four-----George Orwell 《1984》
Midnight Children-----Salman Rushdie 《午夜的孩子》
Ivanhoe-----Sir Walter Scott 《艾凡赫》
The Affair-----C.P.Snow 《丑闻》
(2) 美国文学
Sherwood Anderson----Winesburg, Ohio《小城畸人》
James Baldwin----Go Tell It on the Mountain《高山上的呼喊》
Saul Bellow----Seize the Day《勿失良辰》, Henderson the Rain King 《雨王韩德森》 Willam S.Burroughs----The Naked Lunch 《赤裸的午餐》
Willa Cather----My Antonia 《我的安东尼亚》
Kate Chopin----The Awakening《觉醒》
Stephen Crane----The Red Badge of Courage 《红色英勇勋章》
Theodore Dreiser----Sister Carrie《嘉莉妹妹》, An American Tragedy《美国悲剧》 Ralph Ellison----Invisible Man《隐形人》
William Faulkner----Go Down, Moses《去吧，摩西》, The Sound and the Fury《喧哗与骚动》
F. Scott Fitzgerald----The Great Gatsby 《伟大的盖茨比》
Alex Haley----Roots 《根》
Nathaniel Hawthorne----The Scarlet Letter《红字》
Joseph Heller----Catch-22 《22条军规》
Ernest Hemingway----The Sun Also Rises《太阳照常升起》, The Old Man and the Sea《老人与海》
James Jones----From Here to Eternity《乱世忠魂》
Maxine Hong Kingston----The Woman Warrior《女勇士》
Harper lee----To Kill a Mockingbird《杀死一只知更鸟》
Sinclair Lewis----Main Street 《大街》
Jack London----The Call of the Wild 《野性的呼唤》Martin Eden 《马丁?伊登》 Norman Mailer----The Naked and the Dead《裸者与死者》
Carson McCullers ----The Heart Is a Lonely Hunter 《寂寞的心》或《心是孤独的猎手》 James A. Michener----Centennial
Margaret Mitchell----Gone with the Wind 《乱世佳人》
Toni Morrison----The Bluest Eye 《最蓝的眼睛》
Vladimir Nabokov----Lolita 《洛丽塔》
Frank Norris----The Octopus《章鱼》
J.D.Salinger----The Catcher in the Rye《麦田里的守望者》
Erich Segal----Man, Woman and Child 《男人、女人和孩子》
Upton Sinclair----The Jungle 《丛林》
John Steinbeck----The Grapes of Wrath《愤怒的葡萄》
Harriet Beecher Stowe----Uncle Tom's Cabin 《汤姆叔叔的小屋》
William Styron----Sophie's Choice《苏菲的抉择》
Mark Twain----The Adventures of Huckleberry Finn ， The Prince and the Pauper《哈克贝利?费恩历险记》《王子与贫儿》
Alice Walker----The Color Purple《紫色》
Robert Penn Warren----All the King's Men《国王班底》
Edith Wharton----The Age of Innocence 《纯真年代》
Thornton Wilder----The Bridge of San Luis Rey 《圣路易斯雷的大桥》
Thomas Wolfe----Look Homeward, Angel《天使，望故乡》
Herman Wouk----The Winds of War《战争风云》
Richard Wright----Native Son《土生子》
Louisa May Alcott----Little Women 《小妇人》
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