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莎士比亚英文剧本篇一
《莎士比亚话剧暴风雨英文剧本》
（thee: you thou: you thy: your）
场景一：
(普洛斯彼罗及米兰达上)
普洛斯彼罗正在运用法术使狂暴的海水兴起风浪，此时米兰达过来了
疑惑的看着父亲，问：
米兰达:
If by your art, my dearest father, you have put the wild waters in this roar, allay them. O, I have suffered with those that I saw suffer
普洛斯彼罗
Be collected:
No more amazement: tell your piteous慈悲的 heart. There's no harm done.
米兰达（抱头,叹息！）O, woe the day! 不幸的日子
普洛斯彼罗
No harm.
I have done nothing but in care of thee, Of thee, my dear one, thee, my daughter, who is ignorant of what thou are, not knowing of whence I am, nor that I am more better Than Prospero, master of a full poor cell, And thy no greater father.
米兰达
More to know
Did never meddle with my thoughts.
我从来不曾想到要知道得更多一些。
普洛斯彼罗
It is time to tell you.
Canst thou（Can you） remember a time before we came unto this cell?
I do not think thou canst, for then you were not out three years old.
米兰达
Certainly, sir, I can.
It is far off and rather like a dream than an assurance that my remembrance warrants.
Had I not four or five women once that tended me?
普洛斯彼罗
Thou hadst(you have), and more, 米兰达. But how is it that this lives in thy mind?
Twelve year since, 米兰达, twelve year since. Thy father was the Duke of Milan and
A prince of power. Thy mother was a piece of virtue.
米兰达
O the heavens! What foul play had we that we came from there?
普洛斯彼罗
My brother and your uncle called Antonio—mark me--that a brother should be so perfidious背信弃义的!, he was one whom of the world I loved. (公爵开始回忆。。。)
他开始讲述自己被亲弟弟背叛的过程——————
。。。。。。。。。。。。
(旁白：)
普洛斯彼罗 let his brother manage his state; as at that time
Through all the signories(it was the first
And Prospero the prime duke, being so reputed
In dignity, and for the liberal arts
Without a parallel; those being all my study,
The government I cast upon my brother
And to my state grew stranger, being transported
And rapt in secret studies. Thy false uncle--
Dost thou attend me?
我把国事都托付他管理。那时候米兰在列邦中称雄，普洛斯彼罗也是最出名的公爵，威名远播，在学问艺术上更是一时无双。我因为专心研究，便把政治放到我弟弟的肩上，对于自己的国事不闻不问，只管沉溺在魔法的研究中。你那坏心肠的叔父——你在不在听我？
普洛斯彼罗：
Thy false uncle--
Dost thou attend me?
米兰达
Sir, most heedfully.
普洛斯彼罗
I pray you, mark me.
旁白继续：
He thus neglecting worldly ends, all dedicated
But in his false brother awaked an evil nature; his ambition growing, he did believe
He was indeed the duke.
普洛斯彼罗 愤怒
旁白：
Antonia was so despair for the throne that he worked together with the King of Naples,
to give him annual tribute, do him homage, and
subject his coronet to the crown.
Alas, poor Milan! -- To most ignoble stooping.
米兰达
O the heavens!
普洛斯彼罗
The King of Naples, being an enemy-- to me inveterate-- hearkens my brother's suit;
one midnight，fated to the purpose did Antonio open the gates of Milan,
The ministers for the purpose hurried thence me and thy crying you.
这位那不勒斯王因为跟我有根深蒂固的仇恨，答应了我弟弟的要求.因此在命中注定的某夜，不义之师被召集起来，安东尼奥打开了米兰的国门；在寂静的深宵，阴谋的执行者便把我和哭泣着的你赶走。
(公爵心情沉重而又愤恨)
米兰达: don’t said father, forget the enmity. Now, you have me, have the island and we have happy life
但是父女俩现在过着快乐的生活，在小岛上小精灵很听从普洛斯彼罗的话
旁白：yes,Prospero and Miranda are now living a happy life.
普洛斯彼罗和小精灵上
蓝精灵音乐响起，，快乐的米兰达与小精灵翩翩起舞，共唱“蓝精灵”
第二幕
第一场
SCENE I旁白 （At sea: A ship is struggle with the storm . a terrible noise of thunder and lightning heard.）(PPT) 'Mercy on us!'-- 'We split, we split!'--'Farewell, my wife and children!'-
精灵一All hail, great master! I come to answer thy best pleasure;(万福主人，我来听后您旨意) 普洛斯彼罗 spirit, Perform'd to point the tempest that I bade thee?（精灵你有没有按我的旨
意指挥那场风浪）
精灵爱儿 To every article.
I boarded the king's ship; now on the beak。I flamed amazement
普洛斯彼罗 My brave spirit! But are they safe?
精灵爱儿 Not a hair perish'd; I have dispersed them 'bout the island.
普洛斯彼罗 fine 退下()
（精灵下，王子斐迪南上，刚醒过来，精灵二号身上贴一个牌子;隐身中，请勿打扰，查音乐悠远玄幻） 斐迪南Where should this music be? In the air or the earth? Could it be said that I have diad? 米兰达 What is't? a spirit? It’s so beautiful.
[旁白] It goes on, I see,
斐迪南Most sure, you must be the goddess.
米兰达 No I am not. I I just live on the island.
斐迪南 I am a prince. Our ship was over by the storm and I lost others.
米兰达 oh, for mercy!
(旁白) in the prince’s mind, a voice sounds. I have never seen such clean eyes and such a
beautiful face
斐迪南 if you haven’t fell in love with others. I would like to turn you into my queen. (旁白);The prince thinks his father died, so as his son,he will be the now king.
普洛斯彼 the queen? You are not the king of Naples. You are a liar. My little prince, I will
bind you and make you a slave.
米兰达 O dear father, He's gentle and not fearful. Treat him well.
普洛斯彼罗 What? I say, my child my teacher?
斐迪南Might I am in the prison one day, I can see the girl.
第二场
阿隆佐 安东尼奥, 忠臣贡柴罗,上场 在海边刚醒来（PPT背景傍晚，太阳落山）
忠臣贡柴罗 Beg you, sir, be merry;
阿隆佐 Shut up, peace.
忠臣贡柴罗 Sir,--
安东尼奥 enough keep quiet
阿隆佐 where are we? The terrible please!
忠臣贡柴罗It must needs be of subtle, tender and delicate temperance.
安东尼奥 Temperance was a delicate wench.(阴阳怪气)
忠臣贡柴罗 Here is everything advantageous to life.
安东尼奥 True; lack means to live. Let’s check whether the island is safe.
阿隆佐It’s late. Let’s stay here , have a rest and check it tomorrow
精灵上，挥舞魔棒，（此处配音）三人打哈欠
安东尼奥 Fine. Let’s sleep.
阿隆佐 It’s strange. All of us get tired.
安东尼奥 because of the wether
旁白：安东尼奥 has a dream. Two 精灵s appear in his dream. He was tied up in the guillotine(断头台).
（两个精灵上）
精灵: Those who are greedy should be punished. Hand out what you have to decrease your crime.
(旁白：The sword above him is going to falling down…刀缓缓的落下…)
安东尼奥(害怕):O …o …ok …I’ll give my beautiful wife.
(旁白The sword stops, and then falling again)
安东尼奥: Stop, stop! I’ll give you all my treasures.
精灵: It’s not enough.
安东尼奥: I beg you! I’ll give you my son.
精灵: Are you sure?? But still it is not enough!
安东尼奥: Oh… no! All my power, my throne, my country, and all the precious things I have.
精灵 (大笑): Precious things? Yours? No! The country doesn’t belong to you. Give me what you stole and what you robbed.
You should be put to death.
（旁白: The sword fell down, and 安东尼奥 is scared to wake (刀落下，安东尼奥 被吓醒)
阿隆佐：
Ho, awake! Wherefore this terrible looking? What’s wrong with you?
安东尼：Nothing. (擦汗边说) Just a horrible dream.
（旁白：安东尼奥 haven’t been well from his dream, in fact. ）
(安东后面尼奥在小声说): My throne, my kingdom, they are mine. Mine
阿隆佐：Let’s find some food.
贡柴罗：Oh, god! I can’t move any more. Every part of my body hurt. I must have a rest.
阿隆佐I am tired too. There is nothing in the island , that alone food.
(精灵悄悄出现，在他们面前变出一桌美食，此处注意道具)
贡柴罗 what’s the music. Oh listen. So melodious.(此处加音乐，仙乐)
阿隆佐 God bless. What’s this. Food！ 无比激动
贡柴罗 Is that true? Can we eat ?
安东尼奥 I can’t bear . i must have some food. Even though it is my last meal.
三人开始狼吞虎咽的大吃
安东尼奥（猛然停止吃食，惊讶道）what is wrong with me?(表演出身上到处痛)
旁白（安东尼奥 cannot bear his the pain of his body）
阿隆佐o ，sir you are turning into a pig
安东尼you! You ! cattle ! oh my god
(两人互相看着很惊讶)
贡柴罗 （非常吃惊害怕）what is wrong? What is happing?
切换场景，
旁白The prince’s mind is all about 米兰达,thus he murmured unconsciously
王子 the moment I saw you,my heart belonged to you. I would like to be your slave. Only because of you, I am willing to do anything,even hard work.
米兰达忽然出现说 do you really love me ?
王子
O heaven, O earth, If I speak true! if hollowly, invert
What best is boded me to mischief! Do love, prize, honour you.
米兰达
I am a fool To weep at what I am glad of.
王子My mistress, dearest; And I thus humble ever.
米兰达
It is my hand. with my heart in't; and now farewell
普洛斯 O how moving
普洛斯彼罗：
Oh, what a moving scene! 腓迪南，you have passed my test. Now, you go back to your country, will you?
腓迪南:
I have request, can I take Miranda with me? She will be my only wife.
普洛斯彼罗：
Nothing else would make me happy like this.
米兰达：
I’ll marry腓迪南.
（此时精灵上）
第三幕
米兰达不开心的坐着，普洛斯彼罗走上前说：
普洛斯彼罗：
You look unhappy, what’s the matter with you, my dear?
米兰达：
My dear father, I love —— （腓迪南）but I love you, too. I don’t want to leave you.
普洛斯彼罗：(慈爱的笑)
My darling, no one needs to leave, trust me.
Spirit，I call you in the name of your master.
爱丽儿：
I always prepare to implement your order. What do you want me to do?
普洛斯彼罗：
It’s time. Take them here.
The spirit（爱丽儿）take贡柴罗
阿隆佐was turned into an ox, and Antonia was turned into a pig.
贡柴罗see Prospero :
Oh, my great master, you are alive.
普洛斯彼罗：
Yes. You are still who you were and loyal to your master. Antonia, my brother, you can speak now.
安东尼奥：
My dear brother, during the days，as I am a horrible monster, I deeply repent for my greed and cold bloody which leaded to the nightmare. Not until the moment of all verge of death in my dream that I totally realized neither rich nor privilege belongs to me， and they failed to delight me either. I would rather give all your things back as long as you can forgive me.
普洛斯彼罗：
As soon as your heart becomes truly pure, the sorcery would break off naturally. Those things belong to me will come back, including my nation, my privilege.
（爱丽儿施魔法，普洛斯彼罗和安东尼奥变回原形）
PPT背景：船，海浪
贡柴罗：Ship, our ship is coming.
普洛斯彼罗(亲昵的拍着女儿)：I promised you that no one would leave.
(大结局)
莎士比亚英文剧本篇二
《莎士比亚剧本_第十二夜_英文演示PPT》
莎士比亚英文剧本篇三
《莎士比亚名言英文版》
To be, or not to be- that is the question: Whether it's nobler in the mind to suffer the slings and arrows of outrageous fortune or to take arms against a sea of troubles and by opposing end them, to die- to sleep- No more;And by a sleep to say we end the heartache, and the thousand natural shocks that flesh is heir to. It's a consummation devoutly to be wished. To die- to sleep. To sleep- perchance to dream: ay, there's the rub! For in that sleep of death what dreams may come ? When we have shuffled off this mortal coil, must give us pause. There's the respect that makes calamity of so long life, for who would bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely, the pangs of despised love, the law's delay, the insolence of office, and the spurns that patient merit of th unworthy takes. When he himself might his quietus make with a bare bodkin? Who would these fardels bear, to grunt and sweat under a weary life? But that the dread of something after death- the undiscovered country, from whose bourn no traveller returns- puzzles the will and makes us rather bear those ills we have than fly to others that we know not of. Thus conscience does make cowards of us all, and thus the native hue of resolution is sicklied o'er with the pale cast of thought, and enterprises of great pith and moment with this regard their currents turn away and lose the name of action. 莎士比亚的名言（中英文对照）Better a witty fool than a foolish wit.-Shakespeare宁为聪明的愚夫，不作愚蠢的才子。－莎士比亚A light heart lives long .豁达者长寿。 (英国剧作家莎士比亚. W.)Do not , for one repulse , give up the purpose that you resolved to effect .不要只因一次失败，就放弃你原来决心想达到的目的。(英国剧作家莎士比亚.W.)In delay there lies no plenty , Then come kiss me , sweet and twenty , Youth’s a stuff that will not endure .迁延蹉跎，来日无多，二十丽姝，请来吻我，衰草枯杨，青春易过。(英国剧作家莎士比亚. W.)The time of life is short ; to spend that shortness basely, it would be too long .To be or not to be,that's a question. 是生还是死，那是值得考虑的问题。---莎士比亚 人生苦短，若虚度年华，则短暂的人生就太长了。(英国剧作家莎士比亚. W.)Don’t gild the lily.不要给百合花镀金/画蛇添足。 (英国剧作家 莎士比亚 . W .)The empty vessels make the greatest sound .满瓶不响，半瓶咣当。 (英国剧作家 莎士比亚. W.)The course of true love never did run smooth.真诚的爱情之路永不会是平坦的。（莎士比亚）Ignorance is the curse of God, knowledge the wing wherewith we fly to heaven. -- William Shakespeare 书籍是全世界的营养品。生活里没有书籍，就好像没有阳
光；智能里没有书籍，就好像鸟儿没有翅膀. The book is the nourishment in the whole world.Life the inside have no book, seem to have no sunlight;The inside of the intelligence has no book, seem the bird have no wing. 无知乃是罪恶，知识乃是我们藉以飞向天堂的翅膀。 --莎士比亚 Rich gifts wax poor when givers prove unkind. (william shakewspeare British dramalist) 如果送礼的人不是出於真心，再贵重的礼物也会失去它的价值。 (英国剧作家 莎士比亚. W) Virtue is bold, and goodness never fearful. (William shakespeare, British dramatist) 美德是勇敢的，善良从来无所畏惧。(英国剧作家 莎士比亚. W.) To mourn a mischief that is past and gone is the next way to draw new mischief on. (William Shkespeare, British dramatist) 为了一去不复返的灾祸而悲伤将会抬致新的灾祸。(英国剧作家 莎士比亚 W) What's in a name? That which we call a rose by any other name would smell as sweet. 名称有什麼关系呢？玫瑰不叫玫瑰，依然芳香如故。——Shakespeare Smooth runs the water where the brook is deep. 静水流深。——Shakespeare There is a history in all men's lives. 所有人的生活裏都有一部历史.Shakespeare 莎士比亚 Sweet are the uses of adversity.(William Shakspeare,British Playwriter) 苦尽甘来。(英国剧作家 莎士比亚 W) How sharper than a serpent's tooth is to have a thankless child. (William Shakespeare, British dramatist) 逆子无情甚於蛇蝎。(英国剧作家 莎士比亚W.) It is not enough to help the feeble up, but to support him after. William Shakespeare, British dramatist 仅仅把弱者扶起来是不够的，还要在他站起来之后支持他。 英国剧作家 莎士比亚.W. Truth needs no colour; beauty , no pencil. —— William Shakespeare 真理不需色彩，美丽不需涂饰。 ——W·莎士比亚 Take honour from me and my life is undone. 吾誉若失,吾生休已 ---莎士比亚
莎士比亚英文剧本篇四
《莎士比亚(英文版)》
莎士比亚英文剧本篇五
《莎士比亚简介 英文版》
关于莎士比亚
莎士比亚的代表作有四大悲剧：《哈姆雷特》（英：Hamlet)、《奥赛罗》（英：Othello)、《李尔王》（英：King Lear）、《麦克白》（英：Macbeth）。四大喜剧：《仲夏夜之梦》、《威尼斯商人》、《第十二夜》、《皆大欢喜》（《As you like it》）。历史剧：《亨利四世》、《亨利五世》、《理查二世》等。还写过154首十四行诗，二首长诗。本·琼生称他为“时代的灵魂”，马克思称他和古希腊的埃斯库罗斯为“人类最伟大的戏剧天才”。虽然莎士比亚只用英文写作，但他却是世界著名作家。他的大部分作品都已被译成多种文字，其剧作也在许多国家上演。1616年4月23日病逝。莎士比亚和意大利著名数学家、物理学家、天文学家和哲学家、近代实验科学的先躯者伽利略同一年出生。
Shakespearean representative work has 4-big tragedy: "Hamlet" (UK: Hamlet), "Othello" is (UK: Othello), "King Lear " is (UK: King Lear), "Macbeth " is (UK: Macbeth). 4-big comedy: "A Midsummer Night's Dream ", "The Merchant of Venice " ", Twelfth Night " ", "As You Like It" ("As you like it "). Historical play: "King Henry the Fourth Part 1 " ", King Henry the Fifth " ", King Richard II " and so on. Had written 154 sonnets , two leading cadre poems. Our · Jonson says he is "the times soul " , Max says he and Helladic Aisiku Ross are "the greatest human being drama genius ". Although Shakespeare uses English writing only,he is a famous writer of world but. Most work of him has all already been translated into various language , whose play performs also in the lot of country. Die of illness on April 23 , 1616. Body person Galileo is the same as Shakespeare and famous Italy mathematician , physicist , astrologer with the philosopher , experiment science the modern times first being born for 1 year.
莎士比亚英文剧本篇六
《与莎士比亚_诗剧_相对应的中译文_莎士比亚剧本英译汉探讨》
第12卷第3期Vol.12 No.3 达县师范高等专科学校学报(社会科学版)
JournalofDaxianTeachersCollege(SocialScienceEdition)
2002年9月Sep.2002
Ξ
与莎士比亚“诗剧”相对应的中译文
———莎士比亚剧本英译汉探讨
朱 达
(四川师范学院外语系,【摘 要】缚,,中国约有川剧、越剧、粤剧、豫剧和黄梅戏等拥有众多民众,但京剧影响最大,普及全中国。,但唱词上有共性;均为戏曲“诗”体。
由此,与莎士比亚“诗剧”相对应的中译文,应用道地中文,吸取中国历史悠久的戏曲(诗)体长处,仿戏曲体,运用现代汉语,译成略具古典风味,耐看、上口、耐唱(耐诵)、耐欣赏、耐回味的中文。
【关键词】抑杨格五音步无韵体诗;韵律;节奏;杂剧;南曲;北曲;对应
[中图分类号]H31519 [文献标识码]A [文章编号]1008-4886(2002)03-0080-04
读者理解和欣赏;也有的力图“创新”、“引进”某种诗体译莎剧,颇具探索精神,但因脱离汉语诗歌音韵,难得读者共鸣。目前已有的莎士比亚戏剧译本,多以散文体为主。笔者也见到部分“诗体”译文散本,但无论如何体会不出其抑扬顿挫,感觉不到文句在上、下文中“声音的有规律的反复
(宗白华,21—出现”或“音乐式的节奏与协和”22),吟起来
一、问题的提出
自1856年莎士比亚以“舌克斯毕”被介绍给中国(戈宝权,139),1921年田汉以白话文首译《哈孟雷特》出版以来,莎士比亚著作中译本已出版了数百万本。到20世纪
70年代末,莎士比亚戏剧全译本已有三种:11《莎士比亚戏
不是索然无味就是十分拗口,特别是“诗行”中汉字数太多,即使作为道白也嫌太长。半个多世纪以来,一直有学者研讨如何以诗体译莎剧,近几年来呼声高涨,理由是:莎士比亚英文剧本是“诗剧”,所以中译本应以诗体出现。莎士比亚作品今已是古典文学精华,翻译时要忠于原文,既要反映那时代,又要适应这时代,适应社会的需要,服务于读原文有困难的读者。本文提出的与莎士比亚“诗剧”相对应的中译文最好是在中国传统戏曲诗体基础上的“诗体译本”。
剧全集》(朱生豪[1912—1944]译20个剧本;虞尔昌
[1914—1969]译10个剧本,台北世界书局。1957年);21(梁实秋[1902—《莎士比亚戏剧全集》1987]译,台湾运东图(收朱生豪译本书公司出版,1967年);31《莎士比亚全集》31个剧本,由出版社组织专家学者校对并补齐,人民文学
出版社,1978)。从20世纪90年代至今,特别是在朱生豪逝世50周年后,若干出版社先后以朱生豪译本为底本,或重印或修订出版,从东北到甘肃,从北京到南京,有10种版本。梁实秋译的《莎士比亚全集》也在大陆的书市上出现,还有报导方平主译的《新莎士比亚全集》已于2001年5月出版。此外,还有数十位译者翻译出版若干单部莎士比亚剧本。莎・剧译本,有的不仅文字“优美流畅,而且在韵味、音调、气势、节奏种种行文微处,莫不令人击节赞赏,
[王元化,218]”,一版再版,多次印刷,今已愈200万册;有
二“、诗剧”含义
英语“诗剧”和汉语“诗剧”除共同表示主要或全部用诗体写成的剧本外,尚有许多不同。英语“戏剧、剧本”为
drama、play”,英语“诗剧”有三个名称:dramaticpoetry(剧
诗),poeticdram(诗剧)和closetdrama(仅供小房间———如书房内阅读的戏剧,案头剧,书斋剧)“,Dramaticpoetry”,按其
的注释丰富,有题解,背景介绍,简评,甚至还有考证,方便
Ξ
[来稿日期]2002—02—15
),男,浙江嘉兴人,四川师范学院外语系英语语言文学教授,硕士生导师,达县师范高等专科[作者简介]朱 达(1942—
学校特聘教授。主要从事英美文学(莎士比亚诗歌等)、英语教学法、翻译等研究。
80
朱 达:与莎士比亚“诗剧”相对应的中译文———莎士比亚剧本英译汉探讨2002年第3期
词义为用诗体———通常是抑扬格五音步无韵体(中译文常
)—简之为“无韵体”“白体”、或“素体”——写成的剧本。莎
固定场所,先是租借旅馆改剧场,随后剧场一个接一个建
(1576年建)、立“:戏院”“帷幕”剧场(1577年建)、“玫瑰”剧(1599年场(1857年建)“,天鹅”剧场(1595年建)和“环球”
士比亚的剧本是“Dramaticportry”,但勃朗宁在其《铃和石
(RobertBrowning[1812—榴,第壹佰拾壹号》——1889]:Bellsandpomegranates,No.111[1842])作品标上“诗剧(抒情诗(Dramaticlyrics)副标题。而剧)”“Poeticdrama”,一股被认
建),此后还建有“幸福”“红牛”、和“希望”剧场。“幸福”和“红牛”两剧场还保存到克伦威尔执政(1642年)后。观剧者已大众化,如莎士比亚剧本经常上演之“环球”剧场,是一座能容纳大众的露天剧场,站票仅一便士,高级“雅座”票价十二便士(“)(朱雯—)blankverse)被普遍采用。,也是日常话语中“抑扬”格节奏;每行诗有10个音节,又能较充分地抒发思想情感。诗行太短,不易表达较复杂的内容,诗行太长,脱离口语特点,舞台上表述不自然“;无韵体诗”则比较恰当地位于此二者之间,通过语言表达出来,民众也较容易接受。这种诗体被认为是英语戏剧和长诗中的最佳形式。有的学者还指出;无韵诗可以避开纤巧,不伤风格,不会在行末句尾回到一个类似的声音,诗句节奏可以大开大合(朱白清171———172)。事实上,第一部以无
(ThomasNorton[1532—韵体写的剧本《弋勃塔克》1584]andT1Saukville,Gorboduc)在1561年首演,30余年后到莎士比
为与“Dramaticpoetry”同义,当然也可以指风格上颇具有诗
(TheTempest);也有人意的剧本,如莎士比亚的《暴风雨》(Pip2认为它与“Closetdrama”同义,如勃朗宁的《比芭走过》paPasses,1841)。但“Closetdrama”通常指由诗体写成,供人
们在室内(如书房或起居室内)阅读,剧本,,(PercyBysshe西》,1819),晚(ThomasStearnsE2些时候的艾略特的liot,[1888———1965]:MurderintheCathedral,1935)。由此可
见,上述英语三个名称,虽无权威界义,但各有侧正,特别是“Closetdrama”与前二者区别较明显。其次,据笔者所知,今日英美人并不把莎士比亚剧本视为“诗剧”,他们把莎士比亚剧本和以后的谢立丹(RichardBrinsleySheridan,
[1751———1816],肖伯纳(GeorgeBernardShaw,[1856———)和品特(Harold1950]奥斯本(JohnJamesOsborne,1929———Pinter,[1930———]的“白话文”剧本视为一体,而把勃朗宁
亚和他同时代的剧作家都已普遍采用无韵体诗写剧本了,
(ChsristopherMarlowe1564—如马洛的《浮士德博士的悲剧》1593:TheTragicalHistoryofDoctorFaustus,1588一1589),本・(BenJonson,1573—琼生的《福尔蓬奈》1637,Volpone,1617),(JohnWebster,1580—韦伯斯特的《玛尔菲女伯爵》1625:The(ThomasDuchessofMalfi,1614)和德克尔的《鞋匠的节日》Dekker,1570—1632;TheShoemaker’sHoliday,1600)中都采
和艾略特的某些作品称为“诗剧”或“剧诗”,或意译为“案
(歌剧)其脚本,歌谱通常头诗”或“书斋诗”。至于“Opera”
排列在文学艺术外,置于音乐艺术中;而在中国,古有“杂剧”,今有京剧、越剧、川剧等300多剧种,似乎至今尚无名“诗剧”,但无论是京剧、越剧、川剧,还是《江姐》《、白毛女》之类的歌剧或歌舞剧,举凡有唱段,其文字无一不属诗歌性质。至于舞台上全用“白话”的“话剧”诞生于上世纪之初,有“文明戏”等若干称号,正名则在1926年。
用无韵体(Four,1963)。莎士比亚在他全部37个剧本中都采用了无韵体诗的形式。
)相对应,在中国与伊丽莎白时期(或“莎士比亚时期”
三、回溯历史
莎士比亚(1560———1614)所处的时代史称“英国文艺
(1485—(1485—复兴时期”——1660),或“伊丽莎白时期”——1625)。以莎士比亚为代表,莎士比亚和他同时代的戏剧
则是明代(1368———1644);与莎士比亚生卒相对应的时间
(1567—(1573—则是“隆庆”——1573)和“万历”——1620)年
间。汤显祖的《牡丹亭》《、紫钗记》等传世佳作脍炙人口。其实,中国的戏剧早在唐代已具雏形,有乐、歌、舞、演、白、弄等戏弄,到宋(960———1279)、元(1279———1368)时已相当繁荣。那时戏剧谓“杂剧”,是散曲和戏剧的结合体,简单说来就是有唱有白。散曲包含小令和由若干小令组成的套数。而小令和套数,是合乐的歌曲,和词相似,在当时是有谱的,发抒情感,是词体的一种解放,也是民歌和市民小唱的一种演进,性质上属于诗歌。北宋末年,金人入侵,逐步出现南北两个政治区域。“杂剧”也渐渐形成“北曲”和“南曲”,逐渐形成两种风格,各有特点,但其唱词其诗歌性质不变。以关汉卿《卖娥冤》片断为例:[滚绣球]有日月朝暮悬,有鬼神掌着生死权,无地也,只会把清浊分辨,可怎生糊突了盗跖颜渊,为善的受贫穷更命短,造恶的享富贵又寿延。无地也,做得个怕硬欺软,却元来也返这般顺
家创作了大量剧本,在英国文学史上写下光辉的一页,所以又称“莎士比亚时期”。此前的古典剧作,流传至今很少出版发行。英美文学读本也往往仅收《牧羊人剧之二》
(TheSecondShepherd’sPlay,14世纪末)等个别剧本,并且
已译成现代英语。此诗剧中的诗节把早前通行的十三行诗为一诗节“压缩”成九行;把前八行组成四长行。这样第一至第四诗行,每行十二个音节,第六至第八诗行,每行五至六个音节,第五诗行及第九诗行,每行二至五个音节,但读的时候只保留一至二个重音。每个诗节的尾韵格是
aaaabcccb,很有规律(Anderson135———145)。那时以“大篷
车”形式“巡回”演出,表演无定所,马接着流动舞台,往来于城镇之间(阿尼克斯特63)。到莎士比亚时期,演出已有
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2002年第3期朱 达:与莎士比亚“诗剧”相对应的中译文———莎士比亚剧本英译汉探讨
水推船,地也,你不分好歹何为地?天也,你错勘贤愚枉做天!哎,只落得两泪涟涟。(颜肇仓,28)虽然关汉卿距今近800年,虽然《窦娥冤》中唱词由于加了衬词等原因,句子长短不一,但读者仍可感到语句流畅,富有音乐性。所以莎士比亚剧本如果在当时传进中国而被译成汉语并上演的话,一定是“杂剧”体了。今日中国有京剧,越剧、豫剧、川剧等300余剧种,其唱词无不受其影响。所以今天我们考虑莎士比亚剧本的中文对应文本时,首先应考虑到用古典文学对古典文学,从而体现古风,切忌用时髦的当代汉语作译语,同时又要让当代人看得懂,听得舒服。做得过火了,成汉语诗体,中国古典诗歌(诗、),求之。
此外,英语舞台“诗剧”到18世纪,19世纪和20世纪
(TheSchoolfor已发展成“白话”剧,如谢立丹的《造谣学校》(OscarScandal,1777),王尔德的《温德米尔夫人的扇子》Wildel856———1900:LadyWindermere’sFan,1892),萧伯纳(GeorgeBernardShaw,1856—的《巴巴拉少校》——1950:Major(JohnJamesOs2Barbara,1905)和奥斯本的《愤怒的回颜》borne,1929———1929:LookingBackinAnger,1956)。而中国(开初直到20世纪初才出现舞台上讲“白话文”的“话剧”),由此叫“文明戏”“话剧”和京剧昆曲及其它300多种具
———ACT.Ⅲ
罗密欧在朱丽叶家园中秘密相会,黎明来临,必须告别时,双双千言万语,无可奈何难解难舍的心情。罗密欧因在决斗中杀死仇家子弟,被判流放他乡,如天明以后仍未离去,被发现后必死。莎士比亚在上述《罗密欧与朱丽叶》片断中运用抑扬格五音步无钓体诗句(汉语有“无韵体”“素体诗”、和“白体诗”几种译法),这是英诗中最常用的一种韵格。,读时较轻;第二个,,,共有五个轻重格音;而五音步十个音(在英诗中,行诗超过十个音节的,往往易“分裂”成两行诗)。这种诗体虽然在行末不押韵,但朗读起来节奏性很强,很有韵律感,很有诗味。这是因为英语单词由音节组成,有重读音节和非重读音节,(另有单词重读音节,句重读音节和修辞重读音节之分)。而且轻重读音节在音量,音长和音重方面差别显著。当轻、重读音有规律地反复出现时,就产生节奏感,韵律感。英诗的行末押韵,固然是组成韵律的一个重要因素,但相对而言,不及轻重音节有规律反复出现的作用重要,不及汉语的诗律中押韵的重要性。
英语的行末押韵,有多种韵脚格式,既是丰富英诗音韵美的一种因素,又是诗人放手写诗的一种“图套”———与汉语、法语诗歌行未押韵相比,给英诗押韵要困难得多———既然英语的节奏、韵律主要由轻重音节有规律的反复呈现而形成,英诗中的尾韵押不押就显得不是那么主要了。这是英诗的特点。在将英诗译成汉诗时,需要考虑汉诗的音韵特点并设法予以变通。
此外,英诗行首,行末轻重读音节可以容许有变化,可以多一个音节或减少一个音节,诗行中也可以起局部变化,如轻重音步变为重轻音步,以避过分规律化而产生单调沉闷感。此外,还有“跨行”现象:一行诗可以延伸到下一行行中才告句末,加句号。因而朗读时必须读到句号时才可以稍微停顿。所有这些现象并未影响到英诗以轻重音节相间构成的一定关系所组成的音步性质,使轻重音在诗中有规律的反复徘徊,出现而形成节奏、韵律感。这对英语作为母语的人来说是十分自然的。
在《罗密欧与朱丽丽》片断中,以第一行诗为例,Will
thoubegone?Itisnotyetnearday.轻重轻重……五个抑扬
有“诗剧”风格的剧种活跃在全国各地。
四、英汉语各有韵律
英语无韵体诗有鲜明的英诗风格,以莎士比亚《罗密欧与朱丽叶》片断为例:
SceneV
Capulet’sOrchard
EnterRomeoandJuliet,aloft
Jul.Wiltthoubegone?Itisnotyetnearday.Itwasthenightingale,andnotthelark.Thatpiercedthefearfulhollowofthineear.Nightlyshesingsonyondpomegranate-tree.Believeme,love,itwasthenightingale.Rom.Itwasthelark,theheraldofthemorn.Nonightingale.Look,love,whatenviousstreaks.Dolacetheseveringcloudsinyondereast.Night’scandlesareburntout,andjocunddayStandstiptoeonthemistymountaintops.Imustbegoneandlive,orstayanddie.Jul.Yondlightisnotdaylight,Iknowit,I;Itissomemeteorthatthesunexhales,Tobetotheethisnightatorch-bearer,AndlighttheeonthywaytoMantua;Thereforestayyet;thou,need’stnottobegone.
格音步十个音节构成。双方的话语中用了大量单音节词,一方面固然口语化;另一方而,表达的语气,感情也更强烈;一词一词,有板有眼,铿镪有力。
我们比较一下莎剧汉译三例:
中译文一
朱:你一定要走么?尚未快到天亮的时候,你听到的刺耳的声音是夜莺,不是云雀:她每夜都在那棵石榴树上叫:相信我的话罢,爱人,那是夜莺。
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2002年第3期朱 达:与莎士比亚“诗剧”相对应的中译文———莎士比亚剧本英译汉探讨
罗:是云雀来报晓,不是夜莺:看,爱人,怀着恶意的晨光已经把那东方的碎云镶了花边;夜间的星火已经熄灭,欢乐的白昼已经轻轻的踏上云雾迷蒙的山巅:我一定要去逃生,否则留着等死。
朱:那亮光不是白昼,我知道的,我:那是太阳吸起来的一颗流星,今夜为你照路的,好到曼丘阿去:所以再停留一会罢:不必急于走。
(梁实秋:380)
乡,才免遭大祸临身。
朱丽叶:我知情,知情,那彩光不是破晓霞云,
是金鸟射出流星,充火炬照明远道征程。指引罗郎今宵里奔赴曼州城,
又何匆匆离去,不正好款款安心,共度良辰!
(朱文振,73)
,略具古风,读起来顺口,,在,古往今,)。第二次就是现代白话诗(例如“偈”和“行赞”(朱光潜,170,下同)外,绝大部分汉诗都用运动,不用韵”
读者阅读的既不是“诗文”,也不是“优美流畅”的散文“,我一定要会逃生,否则留着等死”死鬼”。,朱丽叶:你现在就要走吧?天还没有亮呢
那刺进你惊恐的耳朵中的,不是云雀,是夜莺的叫唤;它每天晚上在那边石榴树上歌唱;相信我,爱人,那是夜莺的歌声。
罗密欧:那是云雀,报晓的使者,
不是夜莺;看哪,爱人,嫉妨的晨光在东方的云朵上镶好了花边;夜晚的星光已经烧尽,欢乐的白天;已踮起脚尖站在迷雾中的山顶;
我必须离开,才有生路,要是留下,就得送死。
朱丽叶:那边的亮光不是黎明,我是知道的,
那是太阳吐出来的流星。要在今晚替你拿着火炬,照亮你到曼多亚去的路;
所以再呆一会儿吧,不必现在就走。
(杨烈,758)
韵。汉字读音当然也是由音节俱成,但字与字之间的读音的轻重往往不那么明显,例如与英语的轻重读音节相比,不那么明显。“中国诗的节奏有赖于韵,与法文诗的节奏有轻于韵,理由是相同的;轻重不分明,音节易散漫,必须借韵的回声来点明,呼应和贯串。”所以就汉诗而言,韵的“最大功用在于把涣散的声音联络起来,成为一个完整的曲调。它好比贯珠的串子,在中国诗里这串子是不可少”
(172—173)。
五、结束语
我国早有翻译之事,东汉许慎《说文解字》第六篇(下)就有”译也。率鸟者系生鸟以来之名曰。今已近
2000年。《汉语大词典》对”字解释:11鸟媒,即捕鸟
时用来引诱同类鸟的鸟。21媒介。所以翻译时,要传情传义,要“信”。“信”,即要在思想内容上“信”,还要在环境、风格上“信”,还要考虑到服务对象,让对象感到“信”。由于东西方不同语种语言规律差别巨大,译文要“原汁原味”简直就是天方夜谈。要使21世纪的读者,阅读用汉以前的文字译成的汉语才算“雅”,也是行不通的。翻译要为读者服务。中国有十多亿人民,不同爱好的读者肯定是很多的。莎士比亚剧本散文体译本,已赢得数百万也许上千万高中以上的文化人喜爱。其它印数上千的莎士比亚中译本,也有成千上万的读者。从出版社赢利角度出发,据说只要印数五千册以上,出版社不会亏本。出版社只要摸准了可靠销数,各种不同风格的译本完全可以欢迎出版。即使林纾那种文言加创作的翻译,有的文人学者声称看得津津有味,似乎也可重印发行。但莎士比亚剧本汉译最佳体裁,似乎是参考中国传统戏曲诗体———适宜舞台演出的一种诗体,推陈出新,以地道的汉语,合乎汉语语音规律和韵律,译出略带古风,又易为现代人理解和欣赏的诗体剧本。而诗体的推陈出新,只有在中国传统诗歌(诗、词和曲)和民歌的基础上发展,不宜由文人在书房内创造。当然从事这项事业的译者,必须有深厚的中、外文功底。
译例二的译文似乎比译例一好多了,首先文句通顺得多。但古典文学的气息及合乎中国传统文学中的诗韵味似乎已荡然无存。
中译例三
朱丽叶:恁地要分离?天尚未明,夜还未尽,
怎的你提心吊胆,撑耳倾听?原并非晨雀逆初晓,它本是宵夜莺莺,它石榴树上夜夜常啼,煞有痴情;细语罗郎,相信,相信,真的是宵夜莺莺。
罗密欧:是云雀报晨曦,怎的宵夜莺莺?
低唤卿卿,看东方朝霞升起不留情金光耀亮,绣上那朵朵轻云。
丢下了夜来星斗,只好似灯残油尽余灰烬蒙蒙山里雾,也看它漫展开白昼晴明。
罢了也,我怎好留连枉待丧生命,须及早奔走他
83
2002年第3期朱 达:与莎士比亚“诗剧”相对应的中译文———莎士比亚剧本英译汉探讨
参考文献:
[1]阿尼克斯特.英国文学史纲[M].人民文学出版社,19921
[2]戈宝权.莎士比亚的作品在中国[J].世界文学,1964,(5)1
[3]顾肇仓.前言[A].元人杂剧选[M].人民文学出版
[10]杨 烈.沙士比亚精华[M].复旦大学出版社,19961[11]朱光潜.诗论[M].安徽教育出版社,19971
[12]朱文振.翻译与语言环境[M].四川大学出版社,19881
[13]朱 雯.莎士比亚辞典[Z].安徽文艺出版社,19921[14]宗白华.艺境[M].北京大学出版社,19981
[15]GeorgeKAndersonetc.TheLiteratureofEnglandScott.Foresman1979.
[16ormickinEnglishLiteratureHar2]CtoLiteratureIndianapolis,1980.
[18]FourGreatEli3abethanPlaysNewYorkBantan,1963.[19]AlexPremingerPrincetonEncyclopediaofPoetryandPo2etics,Newjersey,PUP,1974.
[责任编辑 谭万友]
社,19781
[4]何其莘.英国戏剧选读[M].外语教学和研究出版社,19921
[5]梁实秋.莎士比亚全集[M].内蒙古文化出版社,19951
[6]孙家秀.莎士比亚辞典[Z].[7]王 力.[8]王元化.,19981[9]袁行霈.[M].上海教育出版社,19961
ADiscussionofTranslatingShakespeare’sPlaysintoChinese
ZHUDa
(ForeignLanguageDepartment,SichuanNormalInstitute,Nanchong637002,China)
Abstract:InShakespeare’stime,mostplaysperformedinLondontheatresarewrittenintheformofblankverse.Flexible,spontaneousand
natural,blankverseshakesofftheyokeofrulesandformsoftheclassicalpoeticcomposition.Thereareabout360sortsoftraditionaloperasinChina,ofwhichBeijingoperaismostpopularandinfluential.Theoperasdifferinstylebutsharecommonnessinlibretto———operatic“po2etry”.Hence,whentranslatingShakespeare’s“poetic”playsintoChinese,oneshouldabsorbthequintessencefromthetraditionalChineseoperas.
Keywords:iambicpentameter;blankverse;rhythm;zaju;southern-tuneopera;northerntuneopera;equivalence
84
莎士比亚英文剧本篇七
《莎士比亚作品介绍【ppt】英文版》
莎士比亚英文剧本篇八
《莎士比亚中英文简介》
莎士比亚英文剧本篇九
《驯悍记 英语话剧剧本》
The Taming of the Shrew
by William Shakespeare
Katherina (Kate) Minola – the "shrew" of the title Bianca – sister of Katherina; the Baptista Minola – father of Katherina and Bianca – suitor of Katherina Gremio – elderly suitor of Bianca Lucentio – suitor of Bianca (spends some of play disguised as Cambio, a Latin
tutor)
Hortensio – suitor of Bianca and friend to Petruchio (spends some of the play
disguised as Litio, a music tutor)
Grumio – of Petruchio Tranio – servant of Lucentio (spends some of the play disguised as Lucentio) Biondello – servant of Lucentio Vincentio – father of Lucentio A Widow – wooed by Hortensio A Pedant – pretends to be Vincentio A A Tailor Curtis – servant of Petruchio
20s-3min30s
醉汉老婆： A pair of stocks, you rogue!
蓝色衣服男士： Grim death, how foul and loathsome is thy visage.
仆人：Sirs, I will practice on this drunken man.
（仆人与男士窃语）
（抬起醉汉扔到床上）
（俩仆人窃语）
醉汉： For God‟s sake, a pot of small ale!
仆人1： Your honour
仆人2：Your lordship
醉汉：Call me not ‘honour’， nor ‘lordship’. Am I not Christopher Sly, old Sly‟s son of Burton Heath? 灰色衣服男士： Thou art a lord and nothing but a lord.
仆人1： These fifteen years you have been in a dream.
醉汉： These fifteen years! By my fay, a goodly nap! Upon my life I am a lord indeed!
矮个子男士： Your doctors thought it good you hear a play and frame your mind to mirth and merriment. 醉汉： Well, we‟ll see it.
Baptista Minola ：Gentlemen, importune me no farther For how I firmly am resolved you know- That is, not to bestow my youngest daughter Before I have a husband for the elder.
(Katherine闯进)
Baptista Minola ：If either of you both love Katherine. Leave shall you have to court her at your pleasure. 秃头男士： To cart her rather! She‟s too rough for me!
Katherine：I pray you, sir, it your will to make a stale of me among these mates?
戴帽子男士： „Mates‟ maid? No mates for you Unless you were of gentler, milder mould.
（Katherine大叫）
戴帽子男士： From all such devils, good Lord deliver us!
秃头男士： And me too, good Lord!
3:20-6:30
Baptista Minola ：Bianca, get you in.妹妹在Baptista Minola 怀里哭）
And let it not displease thee, good Bianca. For I will love thee ne’er the less, my girl.
Katherine：（对Bianca）A pretty peat!
Bianca：(对Katherine) Sister, content you in my discontent.
(对Baptista Minola ) Sir, to your pleasure humbly I subscribe.
蓝帽子男：Why will you mew her up, Signor Baptista, for this friend of hell?
Baptista Minola ：Gentlemen, content ye. I am resolved.
(停顿一秒后对大女儿) Katherine, you may stay.
Katherine：Why, and I trust I may go too, may I not? Ha!(生气进屋)
两男子几乎同时：Well！Well！
旁白小矮人：（跑过来）What a wretched state of affairs! Old Baptista will never give his consent to the marriage of the fair Bianca, not until a husband is found for Katherine. No consent, no dowry.
（旁白小矮人拉上幕帘）
Hortensio：My good friend Petruchio! What happy gale blows you to Padua here from old Verona?（站在窗口说）
Petruchio：Such wind as scatters young man through the world. Signor Hortensio, I come to wive it wealthily in Padua; If wealthily, then happily in Padua.（骑马说）
Hortensio：I can, Petruchio, help thee to a wife. With wealth enough, and young, and beauteous, brought up as best becomes a gentlewoman. Her only fault – and that is faults enough- Is that she is intolerable crust, and shrewd and forward. I would not wed her for a mine of gold!
Petruchio：Hortensio, peace. Thou know’st not gold’s effect. I will not sleep, Hortensio, till I see her…
Bianca（被Katherine拖着走）：Good sister, wrong me not, nor wrong yourself, to make a bondmaid and a slave of me.（Katherine把Bianca的头压进水里）
Baptista Minola （推开房门说）：Why, how now dame, whence grows this insolence.
(从房门口下来拉架对大女儿说)
For shame, thou hilding of a devilish spirit, why does thou wrong her that did ne’er wrong thee?
(把小女儿拉到自己身后说)Bianca, get thee in.
Katherine(对Baptista Minola 说，此时Bianca跑开)：Nay, now I see. She is your treasure, she must have a husband, I must dance barefoot on her wedding day!(Baptista Minola 刚要说话被打断) Talk not to me, I will go sit and weep, till I can find occasion for revenge!(说完立刻走开)
Baptista Minola 哭着自言自语：Was ever gentleman thus grieved as I?
(继续哭两秒后望向大门口)But who comes here?
Petruchio：（走过来说）I am a gentleman of Verona, sir. Petruchio is my name. Pray have you not a daughter called Katherine, fair and virtuous?
Baptista Minola ：I have a daughter, sir, called Katherine.
Petruchio：Signor Baptista, my business asketh haste, and everyday I cannot come to woo. Then tell me, if I get your daughter’s love, what dowry shall I have with her to wife?
6’20’’ __9’30’’
Baptista Minola : After my death, the one half of my lands, and in possession, twenty thousand of my crowns.
Petruchio：: Let covenants be therefore drawn between us.
Baptista Minola : Ay, where the special thing is well obtained. That is, her love; for that is all in all. Petruchio: Why, that is nothing!
（Katherine从窗户上扔东西砸Petruchio）
Baptista Minola : Well mayst thou woo, and happy be thy speed! Be thou armed for some unhappy words. Shall I send my daughter Kate to you? （上楼进屋）
（Katherine从房间出来）
Petruchio：: I pray you do, I will attend her here…
Petruchio: Good morrow, Kate, for that’s your name, I hear.
Katherine: Well have you heard , but something hard of hearing; they call me Katherine
me.
Petruchio：: You lie, in faith, for you are called plain Kate, and Bonny Kate, and sometimes Kate the curst. But Kate, the prettiest Kate in Christendom, Hearing thy mildness praised in every town, thy virtues spoke of, and thy beauty sounded, myself am moved to woo thee for a wife!
（两人斗嘴并开始跳舞）
Katherine: “Moved” in good time! Let him that moved you hither remove you hence! （跳舞）
Petruchio: Come, come, you wasp, I faith, you are too angry. （也跳舞）
Katherine: If I be waspish best beware my sting!
Petruchio：: My remedy then is to pluck it out!
Katherine: Ay, if the fool could find it where it lies.
Petruchio：: Who knows not where a was does wear his sting? In his tail. （拍Katherine屁股）
that do talk of
Katherine: And so farewell!
Petruchio：: Nay, come again. Good Kate, I am a gentleman.
Katherine: That I will try! （打Petruchio耳光）
Petruchio：: I swear I will cuff you if you strike again!
Katherine: If you strike me, you are no gentleman. （双手抱胸，骄傲的样子）
Petruchio：: In sooth, you scape not so! （抱住Katherine）
Katherine: Let me go! （挣脱，摔倒）
Petruchio：: Why does the world report that Kate doth limp? O sland’rous world! Kate like the hazel twig is straight and slender. O let me see thee walk. Thou dost not halt.
Katherine: go, fool!（本来面对着说话，此时转身）
Petruchio: Am I not wise?
Katherine: yes, keep you warm.
Petruchio：Marry, so I mean, sweet Katherine, in thy bed. Now, Kate, I am a husband for your turn. （双手放在Katherine肩膀上）
Petruchio: For I am he am born to tame you, Kate. And bring you from a wild Kate to Kate. Conformable as other household Kates.
9分20秒—12分30秒
（Baptista Minola 从屋子里走出来）
Baptista Minola ： Now, Signor Petruchio, how speed you with my daughter.
Petruchio：How but well, sir? We have greed so well together. That upon Sunday is the wedding day! Katherine：I’ll see thee hanged on Sunday first.
Petruchio：（笑两声，贴着Baptista Minola 的耳朵说悄悄话）ha ha, Tis bargained twixt us twain, being alone, That she shall still be crust in company. I tell you ’tis incredible to believe How much she loves me! O, the kindest Kate! She hung about my neck, and kiss on kiss. She vied so fast, That in a twink she won me to her love!
（三人站在一起，Baptista Minola 把二人的手一起握在手里）
Baptista Minola ：I know not what to say, but give me your hands. God send you joy; Petruchio, ’tis a match.
Petruchio：Provide the feast, father, and bid the guests: I will to Venice, Sunday comes apace. We will have rings and things, and fine array. And kiss me, Kate, we will be married O’ Sunday.
莎士比亚英文剧本篇十
《修改版 仲夏夜之梦英文话剧剧本精华版》
A Midsummer Night's Dream ——《仲夏夜之梦》
Author: William Shakespeare
Adaptors:Qu Fangyan Chen Weiguang
Characters:
Lysander„„Wang chengcheng Demetrious„„Chen Weiguang Hermia„„ Qu Fangyan Helena„„„„Huang Yamei
Egeus„„„„Zhang Wei Oberon„„„„ Lin Hong
ACT 1 (In the city) Puck„„„Hua Meiping Introducer„„Gan Yunhui 第一幕 (城中)
[道具：两把椅子，一个镜子，一个梳子]
（音乐起„„）
旁白：There was a law in the city of Athens which gave to its citizens th
e power of forcing their daughters to marry whomever they pleased. For i
f a daughter refused to marry the man her father had chosen to be her h
usband, the father has rights to put her to death.
在雅典有一条法律赋予市民权力，可以强迫他们的女儿嫁给他们所喜欢的人，因此如
果女儿拒绝父亲为她选的丈夫，依据这条法律，父亲可以自行判她死刑。
（Hermia正在梳头，突然她的父亲Egeus走了过来）
Egeus: Hermia, you have to marry Demetrious, the best guy in the city.
伊吉斯：荷米亚，你必须嫁给狄米崔斯，这城中最好的年轻人。
Hermia: But I don’t love him. I’ve fallen in love with Lysander.
赫米娅 ：但是我不爱他。我已经爱上了莱赛德。
Egeus: Lysander? Is he better than Demetrious? No!
伊吉斯：莱赛德？他会比狄米崔斯好吗？不！
Hermia: Oh! Dad! Demetrious had ever said that he love my friend, Helena,
and she, a sweet lady also love him deeply.
赫米娅：喔！爸爸，狄米崔斯曾说过，他爱我的朋友——海伦娜，而这一个甜美女孩也
深爱狄米催斯。
Egeus: No matter what you say, I’ve decided to let you marry to Demetriou
s. 伊吉斯：不管你怎麼说！我已经决定让你嫁给狄米崔斯了，我坚决这样做。
Hermia: I won’t give my heart to the person who I never like.
赫米娅：我不愿把我的心交给一个我不曾喜欢的人。
Egeus: If you don’t marry Demetrious, I’ll use the rights
to put you to death according to our law! (拂袖而去)
伊吉斯：如果你不嫁给狄米崔斯，根据我们的法律，我将用雅典的古律法要求判你死刑。 （音乐起，Hemia哀求父亲无果，蹲在地上伤心地啜泣„„）
Hermia: Oh! Please, please do not! My dear father! Don’t you love me any more? Don’t give me up, please!
赫米娅：喔，不要，请不要这么做，亲爱的父亲，你不再爱我了吗？请不要放弃我。 （Lysander走过来发现心爱的Hermia正在伤心„„）
Lysander: Sweet Hermia, my love! What’s going wrong? Let me wipe your heart-breaking tears!
莱赛德：亲爱的荷米亚，我的爱人，怎麼回事?让我擦掉你那心碎的眼泪。
Hermia: My father said that unless I marry Demetrious, he’ll put me to death! What can I do?（用无奈的眼神盯着Lysander）
赫米娅：我爸爸说，除非我嫁给狄米崔斯，否则他将处死我，我该怎么办？
Lysander: Fear not and hear me. Tomorrow night, I’ll wait for you in the wood a few miles outside the city. If you really love me, going far away from this sad city with me.
莱赛德：不要害怕并听我说，明天晚上，我将在城外几里的树林里等你，如果你真的爱我，就和我一起逃离这伤心的城市吧。
Hermia: I will ，because I love you so.
赫米娅：我会的，因为我如此爱你。
Lysander: Keep promise, See you tomorrow night! (二人依依不舍的分开了) 莱赛德：一言为定，明晚见。
[Hermia 的好友Helena 来找她，无意间听到了他们的的对话]
Helena:I will go to tell Demetrious of fair Hermia’s flight.
海伦娜：我要去告诉狄米崔斯,美丽的荷米亚将要离开。
Act 2 (In the forest)
第二幕 (森林中)
[道具：两把装饰过的椅子，一朵花，一个魔法棒„„] （音乐起„„„“虫鸣阵阵，仙乐飘飘”）
旁白：There is a kind of flower in this forest.The juice of that little purple flower ,laid on the eyelids of those who sleep,will make them,when they awake,love madly the first thing they see.„„„„
在森林中有一种具有魔力的花，一旦将那紫色小花的汁液滴在睡眠者的眼皮上，当他们醒来时，便会疯狂的爱上所看到的第一件东西。
Oberon: Fetch me the flower!
奥伯伦： 快替我把那魔力之花拿来。
Puck: Yes,my lord. (下)
帕克：遵命，我的陛下。
Oberon: Oh! Who comes here?Well, I am invisible.
Let me listen to their conference.
奥伯伦：喔，是谁来了？但是他们看不见我的。让我来听听他们说些什么！
(Demetrious和 Helena 推搡着走了上来)
Demetrious: I don’t love you at all, so you don’t follow me.
狄米崔斯： 我不爱你，所以别跟著我。
Helena:（恳恳哀求„„） Even though you treat me like that,I still love you the mote. Please let me follow you even I am like your dog.
海伦娜：即使你像那样对我，也只是使我更爱你。请让我跟著你,那怕我像是你的狗 Demetrious: I am sick when I do look on you!
狄米崔斯： 我一看见你就头痛。 Helena: But I am sick when I look not on you.
海伦娜： 可是我看不到你就心痛。 Demetrious: Let me go. Cause I so hate you! （挣脱Helena走开了)
狄米崔斯： 让我走，因为我是这么的讨厌你。 Helena: Don’t leave me alone. Please stay, though you kill me.(追着Demetrious下) 海伦娜：不要离开我，请留下吧，就算你杀了我。
（在一旁的精灵王Oberon看到了这一幕，心中对Helena产生了同情之心„„） Oberon: The poor lady! I have to help her. Welcome, wanderer,have
you get the flower? (Puck上)
奥伯伦：可怜的女孩，我得帮助她。欢迎啊，浪游者，你把花采来了吗？
Puck: Yes, Here it is.
帕克：是的 ，就在这儿
Oberon: There has been a sweet lady here, who is in love with a cruel youth. If you find him sleeping, drop some of the love-juice in his eyes.
奥伯伦： 这里有一位甜美的少女爱上了冷酷的年轻人。如果你发现他睡著了，就把爱情的汁液滴进他的眼睛里。
Puck:Ok!
帕克：好的！
Oberon:Make sure, when he awakes he loves this lady.
奥伯伦： 一定要确定他醒来时就看到那少女。
Puck: Don’t worry, my lord, your servant shall do so. (两人同下)
帕克： 放心吧，主人，一切将如你所愿。„„
(在森林的另一处，Hermia和Lysander由于困乏，已经进入了梦乡)
[Puck走了上来，却阴差阳错地把Lysander当成了Demetrious ]
Puck: Ah! Who is here? This is him, And she is the lady.
I’ll drop the love-juice in your eyes. Hey! It’s so funny! (下)
帕克：啊，谁在这儿？这是那残酷的年轻人，而她就是那个女孩。我将在你的眼睛滴进爱情的花液。嘿，真有趣。
[Helena走了上来， 无意间发现了Lysander躺在这里]
Helena: I am out of breath in chasing.Who is lying there? Lysander! Good sir, if you are alive, awake.
海伦娜： 这痴心的追赶使我累得喘不过气来，是谁躺在地上?喔，是莱赛德，好先生，如果你还活著，就醒醒吧。
Lysander:Whata pretty beauty! Helena, I would go
through fire for your sweet sake.
莱赛德：多漂亮的美女，海伦娜，我愿为你赴汤蹈火。
Helena: Do not say so, Lysander. Don’t you love Hermia?
海伦娜： 别这么说，莱赛德。你不爱荷米亚了吗？
Lysander: I don’t love her at all. For me, she is just a black raven, and you are a white dove.
莱赛德： 我一点也不爱她，对我而言，她只是只乌鸦，而你是只白鸽。
Helena: Oh! Why was I born to be mocked and thought nothing of by everyone? Is it not enough, young man? That a lady, of one man refused, should of another be so abused! (下)
海伦娜：喔，为什麼我生下来就被每个人嘲笑，而不被尊重？年轻人，这还不够吗？ 一个女子被一个男人拒绝，还得忍受另一个男人的揶揄。
Lysander: Helena,my love„„（追随而下）
莱赛德： 海伦娜，我的爱人„„
[Hermia醒来，却发现心爱的Lysander不在自己身边]
(音乐起„„)
Hermia: Lysander! Lysander! Where do you go? No sound? No word! If you hear me, please talk to me! I faint almost with fear. Where do you go?
赫米娅：莱赛德！莱赛德！你去那儿了？没有回音，不说一句话？如果你听得到，请回答我，我快因害怕而昏倒了，但你去那儿了?
Demetrious上
Demetrious: you are here, my dear Hermia! I found you for a long time. 狄米崔斯：你在这里，我亲爱的荷米亚，我找你找了好久。
Hermia: Do you see my Lysander?
赫米娅： 你看见我的莱赛德了吗?
Demetrious: who care? I would like his being my dog's food.
狄米崔斯：谁在乎?我宁愿把他的尸体喂我的猎犬。
Hermia: Out,you dog! Did you really kill him? You are a devil! Lysander,I'm sure I will find you!
赫米娅： 滚开，恶狗！你真的杀了他吗？你这个恶魔。莱赛德，我一定会找到你的。
[Demetrious见Hermia如此恨自己，就不再自讨没趣了]
Demetrious:She is so angry. I’d better stop following her. I have to take a rest. I'm too tired tonight! (睡)
狄米崔斯：（独白）她是如此生气，我最好停止跟随她。我必须休息一下，我今晚实在太累了。
Oberon和Puck 上
Oberon: Puck,Did you finish your work?
奥伯伦： 派克，你的工作做完了吗?
Puck: Sure, I did. And the woman is by his side，
when he waked, of course she must be seen.
帕克：是的，而且那女人就在他的身边，当然，在他醒来时，她会被发现。
Oberon: Hey! He is there! What did you do? Why does the cruel man still sleep here? You must have made a mistake!
奥伯伦：嘿！他在那儿，你到底做了什么？为什么那个冷酷的年轻人还睡在那儿？你一定是弄错了。
Puck: Did I? Oh, I’m sorry.
帕克：是吗？喔，对不起。
Oberon: It’s ok，now you can finish it.
Just be careful, do not make a mistake again.
奥伯伦：没关系，现在你可以完成这件事。要小心一点，不要再犯错了。
（Puck重新点上花液，然后Demetrious就沉睡了，过了不久，Lysander追Helena经过Demetrious沉睡的地方)
Lysander: Why should you think that I should woo in scorn?
I just hope you could love me.
莱赛德： 为什麼你要以为我的求爱不过是嘲笑你呢？我只是希望你爱我罢了。 Helena: Do you give Hermia up? You should vow to her.
海伦娜：你放弃荷米亚了吗？你的誓言都是应该向她说的。
Lysander: My heart to her isbut as a guest, now my heart
is to you as a son comes home, never leave.
莱赛德：我对她的心不过像个过客，现在我对你的心就像回到家的游子，再不离去了。 Demetrious醒来
Demetrious: Oh! Helena, perfect godness!Oh! Let me kiss your hand. 狄米崔斯： 噢！海伦娜！完美的女神！让我亲吻你的手吧！
Helena: Oh! Spite! You both love Hermia, and now you both mock me! 海伦娜：唉！倒霉！你们都爱著荷米亚，而现在你们也一同嘲笑我！
Demetrious: Lysander, keep your Hermia. Helena is mine!
狄米崔斯： 莱赛德，保留你的荷米亚吧！海伦娜是我的！
Lysander: No! Helena, what he said is a lie!
莱赛德： 不！海伦娜，他说的都是谎话！
Helena: you make me confused. Who should I believe in?
海伦娜： 你们让我迷惑了。我该相信谁呢？
{三个人正争执间，Hermia走了上来}
Hermia: Lysander! You are here! Why did you leave me so unkindly?
赫米娅： 莱赛德！你在这里！你为什么如此忍心地离开了我呢？
Lysander: Because I do not love you, don’t you know?
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