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法国女人喜欢穿丝袜吗？篇一
《法国女人的穿衣技巧》
这是 Ellen Wallace 在 1982年8月刊登在Cosmopolitan的一篇文章。里面关于穿衣搭配的原则绝对是经典。 虽然文章里拿了美国女人和法国女人做对比，但是我觉得亚洲人的基本时尚观念跟美国人很相似，也可以从中学习到一些东西。Happy reading!
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先上我总结的10大点。PS楼主中文不太好你们凑合着看吧。。。
1. Chic 是一种自然不刻意的感觉，并不是有钱就能拥有的。
2. 一身搭配最基本的几个颜色分别是黑、白、藏青、酒红、米色。
3. 法国姑娘从小就被教育如何选择经典并耐穿的高质量基本款。一般至少可以穿5年，但更多是可以让你穿10年甚至15年的才能够算是基本款。这样的服饰可以看作一种投资。
4. 法国女人比一般美国女人更注重自己的仪表和体态，并不仅仅是体重（这个的话，三位数女生没有幸福党可以注意一下）。在法国，就算不富裕的女人也会定期上美容院保养，做日光浴或做指甲。巴黎女人的发型总是很完美，并不是因为她们的理发师更厉害，而是她们更常去修剪。
5.美国女人要么是很认真地打扮（这个时候你能很明显发觉她们刻意地打扮了），不然就是随便穿点什么。在法国就不会有这种情况——法国女人不可能“随便穿点什么”。
6. 法国女人绝对不会买一件很贵的衣服然后藏在衣柜，只有特别的日子才拿出来穿，而平时只穿不太喜欢的衣服。她们更愿意花钱买高质量并且价格更高的衣服天天穿。
7.买了昂贵的鞋子之后她们会赶紧拿到鞋匠那里在鞋底加上保护膜，这样皮鞋就能穿得更久。衣服的话，很多时候过了几年会拿到店里去修改成比较新的剪裁继续穿。
8. 最重要的穿衣经就是要整洁干净，衣服要烫平，鞋子要定期擦。对于自身的缺陷不需要遮遮掩掩。太多美国女人都向往着一种特定的美感。高跟鞋可不是为了让你变高才穿的。（我想他的意思是说高跟鞋应该是为了美感穿而不是为了增高）法国女人要凸显的是自己的风格，而在美国，一般被认为是漂亮的女人全部都只是都是蜜色肌肤，长腿金发又很阳光的那种 —— 这样太无聊了。
9.法国女人打扮是为了让自己愉悦，因为只有这样她才能有自信让别人感到愉悦。
10.法国女人不会为了男人打扮，也不会专门为了变性感而打扮。性感和风sao是不同的，她们不会为了钓男人而特意穿一些浮夸的衣服。性感对她们来说绝对不是投怀送抱那样的态度。在弗罗里达，女孩子早上都是T-shirt短裤，到了晚上才刻意打扮得很妩媚。在法国，妩媚是全天的，它是你的一部分，不是你衣着的一部分。
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正文：
Oui…Parisians always manage to look fantastique — even in “les blue jeans.” Jet with us then to cafe-lined boulevards and learn about French fashion flair!
The one thing they don‟t tell you in travel brochures about Paris is the first thing every visitor notices: People stare. They stare at you; they stare at everybody. And everybody stares back.
My first taste of this phenomenon terrified me. I was wearing an overloaded backpack and a wrinkled black dress, which I had slept in on the train. My mascara was mostly on my cheeks. I wanted desperately to be inconspicuous, but there they were, all those terrible suave-looking Frenchmen I had heard about, staring right at me. I wanted to melt into the sidewalk!
There was also no way to avoid noticing something else: Those French girls look better than we do. Of course, the mysterious allure of the French woman is nothing new. She has been the target of love, lust, and intrigue in hundreds of books and films. Remember Gigi, that innocent heartbreaker? And Edith Piaf, the enigmatic, real-life heroine who stunned the world with her gutsy love songs? Not to mention the quasi-Parisiennes — protagonists of a dozen American novels who left home frumpy and meek, only to return from Paris a year later ravishing and self-assured. After devouring those stories, I could never quite give up the notion that a few months in France and — voila! — I would be magically transformed.
Alas, at the end of a year in Paris, I still looked moderately frumpy. In the interest of self-improvement — or maybe survival — I set out to determine why those French girls look so special. There must be a secret, I told myself, and I was going to discover it. The first step seemed obvious: Observe. So I settled down for the evening in what struck me as a good spot, the Cafe Select on Boulevard Montparnasse. Before long, three French women sat down next to me. Thinking I had found my first victims, I eagerly pulled out my note pad.
Unfortunately, my analysis wasn‟t terribly enlightening. The women all looked pretty and sophisticated in a carefree, natural way. They had on clothes my American friends might wear: denim skirts, nice shirts with pullovers, and low-heeled shoes. There was nothing overtly French about their features and coloring, yet they looked Parisian to the core. Why? The only distinctive things I noticed were that two wore bright narrow belts over their sweaters, something most Americans — waistline conscious — would hesitate to do, and all three had perfect hair.
I was puzzled. None of them was doing anything an American friend might not try, but somehow the total look wasn‟t the same. So, a few nights later, I decided to proceed to step two: Ask the French. This tack proved more successful, although I could see the Parisiennes were wondering why I was asking such elementary questions.
Pascale, in her thirties, helps manage a restaurant on one of the large tourist boats that run up the Seine. She has lived in the Far East and traveled widely, so I was certain she could explain why French women are more chic than others.
“Bof!” she declared while sniffing a vat of spaghetti sauce in her kitchen. (This is one of those
untranslatable French words that let you know you have just said something absurd.) I was startled. “French women are not chic! Oh, yes, there are some chic women — there are always some — but most? … bof! In my father‟s generation, women always had to be dressed up and looking their best, but that‟s changing. Women now are working, we don‟t have as much time to worry about our appearance.”
Yet, I demanded, isn‟t it true that Parisians wearing pants look better than women elsewhere in pants? Pascale wiped her hands on the large chef‟s apron that covered her oversize khaki shirt jacket and black cotton pants. I noticed that she had on flat, well-made black shoes. Simple, neat.
It turned out we had a semantics problem: “Oui, if that‟s what you mean by chic. Elegance is different than chic; elegance has to do with money, with leisure time, with upbringing, and education. The chic woman looks natural, not dressed up. Chic is not a matter of money. Chic means that, from head to toe, there is a sense of proportion.” And she suddenly reproportioned her sauce with a splash of white wine.
“When I see American women dressed up,” Pascale continued, “I can see they‟ve made an effort. Costumes and clothes have always been more important in France than in America — perhaps it‟s historical influence of artists here. In order to develop a sense of what looks natural, which proportions are right, one must make an effort each day — not just occasionally. Here we are told, from the time we‟re small, what looks right, what doesn‟t. Our mothers tell us; magazines tell us; friends tell us.”
More specifically, what does a French mother tell her daughter? “She discusses colors. The basics — black, white, navy, burgundy, and beige — are the foundation of an outfit. Black is especially good because you can wear whatever you want with it. American women tend to mix too many colors, which is distracting, not chic. I‟ve also noticed that they often wear trendy shoes, rather than investing in classic, well-made styles.
“In France, we‟re also taught to know our own figures and to transform faults into assets. I know one large woman who has an equally generous personality — her wardrobe reflects her personality and size. Above all, you must be at ease in your clothes; a woman who is plump usually can‟t wear tight things. On the other hand, there aren‟t rigid rules, just guidelines. A woman with large breasts is often told not to wear raglan sleeves, but if the shirt is cut well, sometimes this sort of sleeve can flatter her.”
One of the earliest lessons a French girl learns is to invest well in her clothes. “Chic is knowing how to buy something that will last,” Pascale told me. “My basics must last for at least five, and often ten or fifteen, years. By basics, I mean clothes that I can wear from morning through the night. Maybe in the evening I‟ll add a special necklace and bracelet, or a dressy belt — the accessories make the difference.”
Two other French women, Guillemette and Marie-Laure, took up where Pascale left off, remembering how they learned to dress. The night we met, Marie-Laure was wearing white pants,
a lacy white blouse, black-and-white belt, white shoes, white net stockings, and gold jewelry. Somehow, she had managed to avoid looking overdone. Guillemette, as always, had made up her eyes and mouth perfectly, but subtly. Her long hair was neatly pulled to one side and braided.
“When I was little,” said Guillemette, “my mother used to help me set out my clothes every night before school. She would say, „Yes, that looks good together,‟ or „No, you can‟t wear that color with this one — marry your colors well.‟ “
Marie-Laure nodded. “The mother‟s influence is very important to a French girl‟s developing a sense of style. I remember one time I wanted to buy a turquoise dress and my mother refused, saying it was a bad color. We are taught to be discreet, subtle in our choice of color. There is nothing wrong with bright color, but it has to be worn delicately — it shouldn‟t shout at you.”
They agreed with Pascale that French women are less chic than they once were but attributed this fact to the cost of clothes in France today. “Italian women are the chic ones now,” said Guillemette, whose in-laws live in Italy. “Chic is a matter of how you put yourself together, and here even the smallest pieces of clothing costs so much. A really nice skirt or jacket by a designer — even prêt a porter — is extremely expensive. That‟s why the young are always running around in jeans, clogs, and...”
I was beginning to feel confused. True, not every woman on the streets of Paris looks terrific (some of the worst dyed hair in the world can be found here), but enough of them do to make the rest of us take notice. Aren‟t French women, in fact, more chic? I checked with Judy Fayard, a Life magazine assistance editor and former Women‟s Wear Daily reporter, who has been watching the Paris fashion scene for almost ten years.
“In general, they are more chic,” she assured me. “Awareness of style is all around them because Paris has been the fashion capital for so long. There is exposure to what designers are doing, and it penetrates down to the woman in the street faster here than anywhere.
“French women are also much more aware of themselves than your average American. They take better care of their bodies. It isn‟t just a question of weight. Here, even women of modest means visit the beauty salon regularly — to have their legs depilated or to tan or have their nails done. They always have their hair cut well, and I don‟t think this is because they have better haircutters, but because Parisians go more often. They have the same attitude toward their bodies and clothes as they have toward food. They are willing to spend their money on it.”
Judy feels that there are three basic differences between French and American women. “French women are more self-confident in general, and this carries over into dressing. They are willing to experiment — say, to roll up the sleeves of a silk shirt and wear it with jeans or stick a gold belt on jeans. I can‟t think of any American woman who would do that until she had seen it in a magazine.
“Second, the French are basically conservative but without the sense of practicality that Americans have. Most American women are too practical to buy a wardrobe of different stockings to
accessorize their basic clothes.”
The greatest difference, she noted, is that looking nice has become a habit for French women. “At 9:00 A.M. at the corner market, I‟m the only one with my hair in a ponytail and no makeup. American women either get dressed up — and when they do, you know they‟re dressed up — or they simply „throw something on.‟ There‟s no such phrase in French! French women simply don‟t go around looking sloppy.”
Judy also pointed out that one can still get better-cut clothes in Paris — even non-designer garments mimic the flattering lines of more expensive wear. French women still try, she added, to buy at least one nice — undoubtedly expensive — dress or suit and use accessories (a cheap belt, scarf, or pin) to alter it during the course of frequent wearings.
Although the French buy outfits just as American women do, they tend to skillfully mix the separate pieces and not wear the matched ensemble as often. “They seem to have a practiced eye for proportion — when the hem goes up, the shoe goes down,” Judy said. “It must be training. If you see good stuff around you often enough, you start to imitate it.”
Looking around might have helped those fictional heroines who went home chic, but they also must have had plenty of francs. This season, a decent pair of shoes in Paris costs at least $60; really nice pairs run from $80 to $150.
A British woman who has made Paris home for four years explained that the price of clothes affects how you wear them. “You can buy cheap French clothes, but they give out right away,” Evelyn said. “So you have no real choice but to spend more initially, knowing it will cost less in the long run. French women never keep their good clothes in the closet. They don‟t wear clothes they don‟t like in order to „save‟ their favorite things for special occasions — they simply can‟t afford to!
“Two years ago I bought a pair of St. Laurent pants on sale,” Evelyn continued. “Even then, they cost a bundle but I knew I could wear them for years. This winter I had them altered so the legs would be more in style; otherwise, they would hang in the closet. That‟s what you have to do with your clothes here — make them last.” Evelyn pointed out that within a block of her apartment, there are three alteration shops, doing lively business. Nearby shoe-repair stores are also thriving. Women who buy expensive shoes often take them to the shop immediately to have protective layers put on the soles, so the leather will last longer.
Maite Turgonet, a Parisian journalist who covers the fashion world, concurred that French women are less chic than they once were. By this time, however, I was beginning to understand that what we consider chic is something the French take for granted as a basic starting point. For them, chic is something beyond that! So, for starters, I asked her what a Parisian would consider the key to simply looking nice.
“French women avoid clothes that are shocking,” she said. “We have a strong sense of not wanting
法国女人喜欢穿丝袜吗？篇二
《法国女人的优雅》
法国女人喜欢穿丝袜吗？篇三
《从法国女人的美丽看中国女性的美丽缺失》
从法国女人的美丽看中国女性的美丽缺失
只有法国人会同夫人开这样的玩笑：希望你到八十岁还有人追，不是八十二的老头追你，而是二十八岁的小伙。虽是玩笑，却出自了解法国女人的心思：她们不管活到什么岁数，一定美丽到老。法国女人，二十岁活青春，三十岁活韵味，四十岁活智慧，五十岁活坦然，六十岁活轻松，七八十岁就成无价之宝。女人有各种老法，而法国女人，只希望能优雅地老去。
可在中国，女人年过二十五不再谈青春，年过三十五不再谈年轻，年过四十，无论曾经如何花容月貌，就不再谈姿色。不知道其实女人可以永远谈美丽。不知什么原因，从整体来看，中国女人似乎缺乏美丽到老的信心和追求。中国人年老而依旧美丽的女人的记忆，大都来自外国女人。比如年老的奥黛丽·赫本、戴尔·海顿等。而在法国，年老仍旧风姿绰约的普通女性比比皆是。当然中国也有吴仪这样美丽永存的女性。
最不喜欢中国人经常评价别人的一句话：见到某人状态不错，最常用的评价是：哎呦，都这岁数了还能这样，真不容易。这岁数怎么啦？仿佛在人们的审美意识中，把美丽与美好只先天地赋予年轻人，年龄稍长，仿佛就不该美好，也不能美好了似的。在这样的国人群体意识下，女人年过四十，甚至更早，自己也接受这样的心理暗示：老啦，不行了，讲究也没用，讲究了也没人欣赏，自己还猴累。
为什么年轻的时候爱美，年长一点就可以不美，就不想美了
呢？就因为已经过了求偶阶段，不再需要向异性展示美丽的羽毛，就可以无所用心进而彻底无所谓吗？那女人究竟是为自己而美，还是为男人而美，女人真的就只是为悦己者容吗？其实在中国，女人在整体上放弃自己太早了，没有了对美丽的追求，没有了美丽的心，哪里还会真正优雅的美。
美丽不是为了求偶，不是为了他人的赞赏，我们有责任展示生命的美丽，那是我们应有的生命尊严。女人应该是世界上最美的风景，不管男人是否把世界搅得惨不忍睹（比如战争），但至少，女士应该让风景这边独好。
在中国经常会听到有些男人毫无障碍甚至带着某种快感地咒骂：老女人，可恶！其实只要女人永远保持挺拔的身姿，永远干干净净智慧得体，就有资本对那些挂着啤酒肚，油光锃亮，脑满肠肥，脸成天喝成酱肝色，边剔牙边露出志得意满无耻相的男人说一句：男人，请收起你的蠢相！
中国女人没有法国女人幸运，法国男人的审美文化认为，四十五岁的女人最美丽。对一个注重女性修炼和女性魅力的国家来说，法国人认为，女人只有到了这个年龄段，因为职场、人生经历、经济基础各方面的积累，才会从里而外散发出一种成熟、沁人心脾的魅力。这种由长久历练而产生的修养和魅力，饱满，厚实，耐咀嚼，耐欣赏。而中国男人只感觉年轻化就是美，这种美感观无非出自对女性肉体的追求罢了。
法国女人比中国女人幸运，但法国女人也比中国女人更用
心。正是这种用心，缔造了法国社会对女人的审美文化基础。这点，中国女人要向法国女人学习。美丽是内心真实的追求，是一颗永远美丽的心。同时美丽也是实实在在的。它是劳累之后立即洗净的那张脸，是走出厨房之后擦满护肤霜的那双手，是临出门前涂上口红的那瓣唇，是走路时傲然挺起的那片腰身，是面对各种诱惑的那份节制，是人群里永远恰当的那抹微笑，是面对荣辱水远镇定的那副神情，是……
也许，会有朋友说，相对于外表，我更愿意注重心灵，心灵的美丽才是更本质的美丽。没错，心灵美丽是所有美丽的基础。问题是，有了内在的美丽，为什么不让外在的所有都一起美好起来呢。美丽是自己的责任，是疼爱自己的方式，不管曾经遭遇过什么，都要对美丽永不言弃。
法国女人喜欢穿丝袜吗？篇四
《中脉laca法国女性不喜欢穿内衣的真正原因》
中脉laca法国女性不喜欢穿内衣的真正原因
各位女性朋友有没有听说过谁不穿内衣就上街的，基本上没人听说过吧，但是这只是在中国，而在法国巴黎大都市上面就有很多女性不穿内衣就上街的，说白了一点就是法国的女性不爱穿内衣，因为她们认为穿内衣有一种不舒适的感觉，另外从服装方面来讲，内衣的线条会影响外表或隐约看得到内衣，从有透明感的服装看到内衣，就是不雅。
法国制的内衣在这方面考虑得相当周到。最近，绢布料或有蕾丝花边的1900年代的装饰华丽内衣又再度复活，内衣质地越来越薄且具有良好的弹性，总之，就是贴身。
由于再贴身的内衣也有暴露线条的危险，所以法国很多女性会在一些场合中根本舍弃内衣，她们的做法是：穿着T恤时不穿胸罩，在乳首上贴上胶布。如果衣领开得几乎看到胸罩时，还是不穿胸罩比较适合。穿着低胸衣服时，也可以穿半罩内衣。
穿着裤子时，巴黎女性垫化妆纸而只穿裤袜(目前使用卫生护垫的做法比较流行)。虽然日本人认为不穿内衣的女性不是正经女人，但这种观念已经古老，反而是能显露出贴身内裤的线条或从白色裤子外看到印花的内裤，才会令人有羞耻感。
虽然不穿内衣裤可以避免种种外观问题，但有统计显示：一年里不穿胸罩，乳房
会下垂一公分，所以，女性仍应注意维持美好的胸部，尤其是青春期的女性正值体型成熟，就更应穿着胸罩。
法国女人喜欢穿丝袜吗？篇五
《跟法国女人学优雅》
读书报告
学号：140130223 姓名：彭潇 班级：行政管理2班 小组：八组 跟法国女人学优雅
众所周知，法国是一座浪漫之都，这里有优雅了女人，绅士浪漫的男人，经典的巴黎圣母院，还有无限憧憬的埃菲尔铁塔。法国，一所许多女人的梦想。周末，坐在宁静的咖啡馆小屋，安静的观看了《跟法国女人学优雅》，这本书轻松愉快，引人入胜。从最基本的服饰，逛街，打电话，挖鼻孔到参加派对，用餐礼仪，说话艺术，婚姻，各式各样的问题都能令你优雅面对。
优雅可以是一种与生俱来的传统，这和出身有关。也可以后来养成的一种生活习惯，与自身的努力有关。当然也可以装优雅，尽管会露出马脚，这和周围的环境有关。法国女人优雅，既有传统因素又有环境因素，再加上自身的修养，优雅就成了自然而然的事。
从巴黎回来的国人中，一些人印象深刻的不是卢浮宫和埃菲尔铁塔，二十法国女人的气质和品味。孩子们从小就做事整洁和得到行为得体的熏陶。即便普通老百姓，他们也循循善诱地管教孩子为人处事。
无论贫富，巴黎女人吃饭时不会弄出声响，尽管他们也把食物含在醉了张口说话。无论大小，法国女子总能再整齐的餐桌前坐姿端庄，熟练的移动着手中的银色刀叉，将盘中的精致美食小块小块慢慢送进口中。
巴黎女人不喜欢雷同，不跟风，不愿意和别人穿着一样，坚持自己的风格，尽管身在领导世界潮流之都。即使从平价店里买来的衣服，
体现的也是一个人的独立特色，体现的事一种自信。
法国女人的优雅是从头到脚的，即便是在森林散步，她们穿的都是癖习，只不过是软底而已。女用丝袜的出现被认为是西方服饰的一次革命光着脚反而没那么耐看，只是，法国女人将其穿到极致。
优雅是一种气质，也是一种行为，优雅，不见得要长得靓的，但一定得大方——不是那种“豪爽式”的大方。优雅彰显的是不仅是美妙的身段，更是它的肢体语言。尊重他人，具有同情心，宽容和责任感，也是一种优雅。
巴黎女人自己做事自己担当，爱就是爱，不嫌贫富，恨就是恨，没有城府。和国内的女人太重视脸部护理因而面膜销量越来越多不同，巴黎女人在意身材和心态，经历的是与中国女人的演变过程。
作为一位初入校园的大学生，这仅仅是我对法国女人优雅的一点点小小见解，我想它并不是最全面深刻的。但我认为，我们读大学的意义之一目的之一也是在四年里实现完美的华丽蜕变，做更好的自己，将自己成功的推销出去，给社会呈现一个讲礼仪优雅大方得体的形象。
法国女人喜欢穿丝袜吗？篇六
《法国女人魅力密码》
法国女人魅力密码，帮我们打开乐活生活之门法国女郎擅长打扮的能力是一种高雅的傲慢。优雅的打扮可以学，但傲慢的气质是学不来的，那来自于一 种生活态度，那种态度就是：优雅过生活。贴近生活本源，自然，健康，精致，法国女人教会我们的那些 生活方式，别有一番韵味~ 1.香水是不可缺少的日用品。查看原图2．Hermes 丝巾。法国女郎似乎天生就懂得怎样将丝巾系得迷人。 3．每个女人都要有 100 双鞋。鞋已跳出配饰的范围，成为打造整体风格的重中之重。 4．身上的颜色不要超过 3 种。优雅而不平庸的秘诀就是，身上的颜色不要超过 3 种。 5．随身携带一枚小镜子。对于时髦的巴黎女性来说，口袋镜便成为不可或缺时尚配饰。 6. 追求“低”与健康。法国街头的午后美妙时光，步行着的和骑着优雅自行车的法国女人，践行着自然低 碳生活。追求自然与健康，已经渗透她们生活的方方面面。就像避孕，她们都会选择雌激素最低的，最自 然健康的产品。查看原图 7. 从婴儿时代开始培养时尚品味。她们还是儿童时，便可身穿大牌的童装，鞋子、遮阳帽与腰带，一样都 不能少。 8. 口袋里常备两只口红。她们的手袋里会永远放两支口红，哪怕不换衣服，口红的转变也能轻易地配合白 天与夜晚不同的风情。 9. 享受假期。一提到法国，就会想到这个国度性感浪漫开放的气质。法国女人追求两性间良好的沟通，懂 得以浪漫的情调为情感加分。法国有很多假期，她们会抛开工作，与爱人享受二人世界，与此同时，她们 当然也会选择服用零负担安全的避孕药， 欧洲很流行的一款口服避孕药美欣乐， 它雌激素剂量只有 20 微克， 在市面上的口服避孕药里激素含量最低了，可以让女人保持健康美丽的状态，安全无副作用，不会导致体 重上升。如果有一些痤疮这样的皮肤问题，或者是痛经、经期不良情绪，美欣乐也能够改善，这也算是在 避孕之外的小小惊喜！~在她们的心目中，选择这样的产品等于选择了自然健康精致的乐活生活。查看原图10．深知性感内衣的奥妙所在。“内衣很重要，它紧贴肌肤，必须性感、完美。”法国时尚内衣界的泰斗 Chantal Thomas 的外衣总是一身黑，因为“我的内衣总是色彩缤纷。” 11. 睡觉休息最重要。Corinne Maier 甚至写了一本畅销懒人指南《Bonjour Paresse》,来告诉大家少工 作的妙处，法国女郎还常常在工作时间溜出办公室喝杯咖啡呢。 查看原图12. 注意自己身上的细节。事实上，她们对于一切让自己变得更完美的事情都非常热衷，即便是百货公司 的售货员也打扮得无懈可击，精致的妆容、一丝不苟的制服
与完美发型。 13 爱花。从巴黎街角的小花店到普罗旺斯的薰衣草花海，鲜花，存在于法式生活的每个时刻，花可以是好 礼物、好伙伴，当然更是法国女郎露台上不可或缺的装饰品。 14. 热衷药妆。货架上挤满了各种品牌的瘦身霜、美黑油、抗皱乳液，这些物美价廉的药妆是让法国女郎 保持体态苗条、肌肤光滑的可靠盟军，“如果没有药妆，那和去修道院有什么两样？”药妆的天然健康， 也符合了法国女人对于乐活的追求。查看原图 15. 热爱音乐。音乐对于法国女郎来说就是一种生活习惯，她们热爱的音乐五花八门，不过总不能缺少令 人迷醉的浪漫香颂。 16. 追求精致餐桌艺术。贵族精神深植于每位追求高品质生活的法国女郎心中，即使买不起堪比 Chanel 双 C 手袋的银咖啡壶，她们也会尽力将餐桌布置的尽善尽美。 查看原图17.经济与精神的独立。 纵观法国历史，人们都格外重视这些具有革命精神的女性，包括 Coco Chanel、 西蒙?波娃、高莱特夫人等等。 18. 将赋有创意的艺术元素融于生活。每年六月是音乐节、十月则是艺术家工作室开放的时间，在巴黎每 个角落都随时上演精彩的戏码。生活在一个充满创意的城市里，法国女郎们早已学会将这些艺术元素融入 自己的日常生活中。
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